1930s
Café SocietyFriday, 02 September 2016
Whatever one thinks of Café Society - and responses to Woody Allen's latest as ever are likely to be divided - few will dispute the visual lustre that the legendary cameraman Vittorio Storaro has brought to this tale of love upended and... Read more... |
Prom 53: Stadler, RLPO, PetrenkoFriday, 26 August 2016
He still looks every inch the golden boy, but Vasily Petrenko has just turned 40, and next month celebrates a decade with the Royal Liverpool Philharmonic. Time well spent, as this impressive evening revealed: after years of Russian immersion under... Read more... |
Swallows and AmazonsMonday, 15 August 2016
If one was going to write the recipe for a classic British children’s film, it would probably include the following: adapt much-loved novel; hire fresh-faced young actors and well-worn comedians; budget for steam trains chugging over viaducts;... Read more... |
The Flames of Paris, Bolshoi Ballet, Royal Opera HouseSaturday, 06 August 2016
The Flames of Paris, in Alexei Ratmansky's 2008 reworking, is a ballet of contrasts. Between the first and second acts, so different in pace and quality, between the naturalistic intimacy of certain pas de deux and the stylised posturing of the... Read more... |
Illuminations, Tynan, Aurora Orchestra, Collon, Snape MaltingsSaturday, 11 June 2016
Nothing galvanises an audience quite like physical risk. As soprano Sarah Tynan rose on a hoop into the darkness, intoning the final words of "Départ" from Britten's song cycle Les Illuminations, you could almost hear her heart race. Beneath, a... Read more... |
theartsdesk in Bilbao: The School of Paris at the Guggenheim MuseumSunday, 29 May 2016
Painted during his first trip to Paris in 1900, Picasso’s Le Moulin de la Galette is an outsider’s view of an exotic and intimidating new world. Men and women are seen as if through some strange distorting lens, their blurred, mask-like faces... Read more... |
John Piper, Pallant House Gallery, ChichesterThursday, 28 April 2016
You wouldn't judge a painting on how it would look in your own home, but textiles are different: in fact it is exactly this assessment that counts. A length of fabric laid flat is a half-formed thing: it needs to be cut, stitched and draped before... Read more... |
Eisenstein in GuanajuatoSaturday, 16 April 2016
This is an unashamed, fulsome, extravagant tribute from Peter Greenaway to his cinema idol. The British director – though that description is probably more point of origin these days than allegiance – has long acclaimed his Russian-Soviet... Read more... |
The Danish GirlFriday, 01 January 2016
Tweaked and polished to within an inch of its life, The Danish Girl is the latest shamelessly awards-seeking effort from British director Tom Hooper, whose last two period films The King’s Speech and Les Misérables were certainly showstopping pieces... Read more... |
And Then There Were None, BBC OneTuesday, 29 December 2015
None, or two? Only the tiniest whiff of spoiler is involved in pointing out that while the stage version, or at least the one I saw with an actor friend playing an early victim, settled for a semi-happy ending, this magnificently brooding adaptation... Read more... |
Yuletide Scenes: Ben Nicholson's Christmas Night, 1930Wednesday, 23 December 2015
On this dark, silent night as the world holds its breath in anticipation, everything is still but for the occasional whisper of a breeze ruffling the curtains. It is so quiet that a deer, that most nervous of creatures, has tiptoed all the way up to... Read more... |
Yuletide Scenes: David Jones' Nativity with Shepherds and Beasts RejoicingTuesday, 22 December 2015
David Jones’ black and white drypoint – a drawing made by incising lines on a copper plate with a diamond-tipped needle and then printing from the plate – is a view of the nativity which is fresh, full of wonder and a highly intelligent naïveté. It... Read more... |
