1920s
Proms at...Cadogan Hall: Hardenberger, Gruber, ASMFTuesday, 09 August 2016
Superior light music with a sting, done at the highest level: what could be better for a summer lunchtime in the light and airy Cadogan Hall? Our curator was that most collegial of top soloists, trumpeter Håkan Hardenberger. He'd invited colleagues... Read more... |
Bugsy Malone, Lyric HammersmithThursday, 30 June 2016
For those in sore need of a theatrical pick-me-up, jazz square your way over to Bugsy Malone. Last year’s smash-hit opener of the redeveloped Lyric has been given a well-deserved encore, with Sean Holmes’s production once again nailing the beguiling... Read more... |
theartsdesk in Bilbao: The School of Paris at the Guggenheim MuseumSunday, 29 May 2016
Painted during his first trip to Paris in 1900, Picasso’s Le Moulin de la Galette is an outsider’s view of an exotic and intimidating new world. Men and women are seen as if through some strange distorting lens, their blurred, mask-like faces... Read more... |
Oedipe, Royal OperaTuesday, 24 May 2016
"Unjustly neglected masterpiece" is a cliché of musical criticism, and usually an exaggeration. Romanian master Enescu's vast journey through aspects of the Oedipus myth seemed like an unacknowledged great among 20th century operas through the... Read more... |
Van de Wiel, Philharmonia, Järvi, RFHFriday, 20 May 2016
“Choleric humour, pathos and kindliness are mingled in conflict," wrote Robert Simpson of Nielsen’s 1928 Clarinet Concerto. The work was written for a player with a complex character, full of contradictions. Last night’s soloist, Mark van de Wiel,... Read more... |
DVD: The Last CommandFriday, 13 May 2016
From Hollywood in 1928 back to Petrograd in 1917 and forward again, the fortunes of Emil Jannings' General Sergius Alexander encapsulate the ambivalence of Austrian-American Josef von Sternberg's silent masterpiece. Our protagonist seems heartless... Read more... |
Peaky Blinders, Series 3, BBC TwoFriday, 06 May 2016
Sometimes compared to Boardwalk Empire or The Wire, and raved over by the likes of Brad Pitt, Snoop Dogg and even Jose Mourinho, Peaky Blinders opened its third series by becoming positively Godfather-esque. Writer Steven Knight whisked us away from... Read more... |
MargueriteTuesday, 15 March 2016
You may never have heard of Florence Foster Jenkins, although she has definitely earned a certain renown among music-lovers. For all the wrong reasons: the American soprano, who performed at private recitals in the early decades of the last century... Read more... |
DVD: Shooting StarsWednesday, 09 March 2016
Twenty-five-year-old Anthony Asquith didn’t call the shots on the silent movie that launched his distinguished directorial career, but the screenplay he co-wrote with JOC Orton included elaborate scenarist notes that told his designated co-director... Read more... |
Callow, Hough, LPO, Vänskä, RFHThursday, 11 February 2016
2015, Sibelius anniversary year, yielded no London performances of the composer's last masterpiece, the Prospero's farewell of his incidental music to The Tempest. With Shakespeare400, 2016 has already made amends: even if the Bardic input came... Read more... |
Ma Rainey's Black Bottom, National TheatreWednesday, 03 February 2016
"One... Two... You know what to do": that coolly delivered rehearsal intro from a trombonist called Cutler (Clint Dyer) could serve as a synoptic appraisal of the simply overwhelming National Theatre revival of Ma Rainey's Black Bottom. The play in... Read more... |
The Danish GirlFriday, 01 January 2016
Tweaked and polished to within an inch of its life, The Danish Girl is the latest shamelessly awards-seeking effort from British director Tom Hooper, whose last two period films The King’s Speech and Les Misérables were certainly showstopping pieces... Read more... |
