18th century
Bach Marathon, Royal Albert Hall/ Nick van Bloss, Institut FrancaisTuesday, 02 April 2013
Bach for breakfast, lunch and supper. That in essence was what yesterday's Bach Marathon was about. You can do that with Bach - have him flowing from the taps. Nothing new in this for those of us who experienced the Bach Christmas a few years back... Read more... |
Bach St John Passion, Academy of Ancient Music, Egarr, Barbican HallSaturday, 30 March 2013
A Leipzig church is surely the place we’d most like to be for Bach on Good Friday. Never mind: the Barbican Hall is kinder to the best period instrument ensembles than it is to big symphony orchestras. Better still, having sat stunned and weepy for... Read more... |
The Low Road, Royal Court TheatreThursday, 28 March 2013
“My honest instinct,” says Jim, the hero of Bruce Norris’s The Low Road, “is one of resentment.” And while this contemporary fable of industrious bees, aka capitalist speculators, is set in the past, and is full of good jokes, it is also laced with... Read more... |
Schiff, Orchestra of the Age of Enlightenment, Queen Elizabeth HallTuesday, 26 February 2013
You’d not expect Einstein to have daubed Amadeus’s Ninth Piano Concerto with the label “Mozart’s Eroica”. The really famous one didn’t : that piece of punditry came not from Albert the Great but Alfred the (musicologist) Lesser. Embarrassingly, the... Read more... |
Medea, English National OperaSaturday, 16 February 2013
How do you solve a problem like Medea? Euripides’ baby-killing, hell-invoking sorceress is one of literature’s most terrifying and unfathomable creations – a woman capable of murdering her own children just to watch their father’s pain. Yet with the... Read more... |
Radamisto, English Concert, Barbican HallMonday, 11 February 2013
The Barbican is London’s home for baroque opera in concert, regularly bringing Europe’s finest over with their latest Handel and Vivaldi. But although fresh from a performance in Paris, last night’s band were definitely home-grown. Harry Bicket and... Read more... |
Joyce DiDonato, Il Complesso Barocco, Barbican HallThursday, 07 February 2013
It may look like a sure-fire hit to let Kansas mezzo Joyce DiDonato rip through the drama-queen repertoire of the Baroque. But last night’s exploration of the dustiest, most overgrown byways of 17th and 18th century Italian opera needed every drop... Read more... |
Our Country’s Good, St James TheatreTuesday, 05 February 2013
Plays about plays are often touched by theatrical magic. This is certainly the case with Timberlake Wertenbaker’s masterpiece, first staged in 1988, and now revived by the same director, Max Stafford-Clark, who originally eased it into the world.... Read more... |
Feast, Young VicSaturday, 02 February 2013
Feast aims high. Very, very high. Steered by experienced and much-lauded director Rufus Norris, five playwrights and one choreographer seek to make a fusion of physical theatre, dance, onstage music, straight drama, abstract poetic dialogue,... Read more... |
Rachlin, BBC Scottish Symphony Orchestra, Runnicles, Glasgow City HallsFriday, 01 February 2013
Viennese night in Glasgow’s Candleriggs was hardly going to be a simple matter of waltzes and polkas. True, its curtain-raiser was a Blue Danube with red blood in its veins rather than the anodyne river water of this year’s New Year concert from... Read more... |
St Matthew Passion, Academy of Ancient Music, Choir of King's College Cambridge, Kings PlaceWednesday, 30 January 2013
Kings Place’s Bach Unwrapped season invites audiences to come at the composer from new and unexpected angles. Bach gets arranged, adapted and re-orchestrated, and his legacy is showcased in works from three centuries. Occasionally however he also... Read more... |
Les MisérablesFriday, 11 January 2013
Les Misérables is revolutionary, but not in a French way. Oscar-winning director Tom (The King's Speech) Hooper’s film of a musical seen by over 60 million people in over 40 countries and in half again as many languages has engaged so much... Read more... |
