18th century
Ormisda, St George's Hanover SquareWednesday, 29 March 2017
The annual London Handel Festival is dutifully working its way through every one of Handel’s operas in a cycle that will eventually take us from Alcina to Xerxes before, presumably, starting all over again. But each year, alongside these headliners... Read more... |
Harlots review - 'fun quasi-feminist costume romp'Tuesday, 28 March 2017
We like to think of Georgian England as a wellspring of elegance: the Chippendale chair and the Wedgwood teapot, the landscaped vista and the neoclassical townhouse. But, as subversively embodied in the mock heroic couplet, the seemly Age of Reason... Read more... |
The First Commandment, Classical Opera, St John’s Smith SquareWednesday, 22 March 2017
Isn’t it funny? You wait ages for an opera by an eleven-year-old and then two turn up at once. The world’s feature journalists descended on Vienna at Christmas for a new take on Cinderella by Alma Deutscher. What they heard, for what it’s worth, was... Read more... |
Partenope, English National OperaThursday, 16 March 2017
It's time again for surrealist charades at the nothing-doing mansion. Christopher Alden's Handel is back at ENO, making inconsequentiality seem wondrous. Christian Curnyn's conducting sets the tone, with orchestral playing as light as air, and a new... Read more... |
theartsdesk in Oslo: Mozart beneath a Munch sunWednesday, 15 March 2017
Leif Ove Andsnes directing two great Mozart piano concertos from the keyboard may be the chief attraction when the Norwegian Chamber Orchestra comes to London's Cadogan Hall on Friday to celebrate its 40th birthday. It was certainly the bait which... Read more... |
Bavouzet, Manchester Camerata, Takács-Nagy, RNCM, ManchesterFriday, 03 March 2017
Manchester Camerata give relatively few old-fashioned concerts these days – I mean the sort that are done in purpose-built concert halls, with a conductor, soloist and conventional orchestra strength – because they’re busy crossing boundaries and... Read more... |
Roots, BBC FourThursday, 23 February 2017
Those of us who saw the first, 1977 TV adaptation of Alex Haley's Roots in our teens still remember the shock and horror at its handling of a subject about which we knew little, American slavery. We know a lot more now, but the visceral reaction to... Read more... |
Sunday Book: Jake Arnott - The Fatal TreeSunday, 19 February 2017
Novelist Jake Arnott has an eye for seedy glamour. The Fatal Tree takes the 1720s underworld - the setting of John Gay’s The Beggar’s Opera, one of the most successful of all time - and adds more sex and a slick story, to make this rivetingly vivid... Read more... |
Adriana Lecouvreur, Royal OperaWednesday, 08 February 2017
Adriana Lecouvreur deserves to be better known. The opera has a toe-hold in the repertoire, with occasional appearances, usually as a showcase for the soprano in the title role. Its composer, Francesco Cilea, is known for little else, but the opera... Read more... |
Summerfield, Jackson, Riches, Classical Opera, Page, Wigmore HallWednesday, 18 January 2017
Young Amadeus is growing up in real time with MOZART 250, Classical Opera's ambitious 26-year project following its hero's creative life from childhood to the grave. 2015's start, marking two and a half centuries since the boy wonder's first visit... Read more... |
Igor Levit, Wigmore HallWednesday, 07 December 2016
Igor Levit began his recording career with Beethoven’s last three piano sonatas, and his deeply felt, impressively mature readings made his name. Now he is performing a full cycle at the Wigmore Hall, and his take on the earlier sonatas turns out to... Read more... |
DiDonato, Il Pomo d'Oro, Emelyanchev, BarbicanWednesday, 23 November 2016
Most singers give recitals, and very nice they are too. But there are some – Bartoli, Florez, Netrebko, Terfel – who really put on a show. Mezzo Joyce DiDonato might just be the queen of this select band, and between the projections, smoke, sound... Read more... |
