16th century
Best of 2016: ArtThursday, 29 December 2016
Before we consign this miserable year to history, there are a few good bits to be salvaged; in fact, for the visual arts 2016 has been marked by renewal and regeneration, with a clutch of newish museum directors getting into their stride, and... Read more... |
Love's Labour's Lost/Much Ado About Nothing, RSC, Theatre Royal HaymarketFriday, 16 December 2016
“The words of Mercury are harsh after the songs of Apollo.” A sudden cold breeze blows through the endless summer afternoon of Love’s Labour's Lost in the play’s final moments. Death enters Shakespeare’s Edenic garden and innocence is lost. But what... Read more... |
Corkin, Siglo de Oro, Allies, Shoreditch ChurchMonday, 12 December 2016
Advent is as profitable for choirs as it is tricky to programme. How to delight the palates of carol-hungry audiences while offering them new treats? How to reconcile the fairy-lights of ubiquitous consumption and satiation with the Biblical call of... Read more... |
The Sixteen, Kings PlaceFriday, 04 November 2016
And so it comes to an end. Six months, 33 concerts, and many miles of travelling later, The Sixteen’s annual Choral Pilgrimage is now finished for another year. With so many concerts it’s inevitable that the singers’ relationship to the repertoire... Read more... |
Beyond Caravaggio, National GalleryWednesday, 12 October 2016
Cheekily bottom-like, their downy skin blushing enticingly, these must be the sexiest apricots ever painted. If you held out your hand, you might just be able to touch them, there in the foreground of what is thought to be Caravaggio’s earliest... Read more... |
Shakespeare triple bill, Birmingham Royal Ballet, Sadler's WellsWednesday, 12 October 2016
Shakespeare has always been a fertile source of inspiration for story ballets. Plays which exist in multiple dance versions include Romeo and Juliet, The Tempest, A Midsummer Night's Dream, The Taming of the Shrew and Hamlet, while Shakespeare... Read more... |
The Taming of the Shrew, Shakespeare's GlobeSaturday, 04 June 2016
There’s a problem with The Taming of the Shrew, and it isn’t the one of Shakespeare’s making. So legendary are the work’s difficulties, so notorious its potential misogyny, that each new production can feel like a proffered solution, a defence of an... Read more... |
King John, Rose Theatre, KingstonSaturday, 21 May 2016
According to Sellar and Yeatman in 1066 and All That, the true Bible of English history, King John was a Bad (to be exact, an Awful) King. Shakespeare had quite an interest in Bad Kings – Richards II and III were also subjected to his... Read more... |
Kings of War, Toneelgroep Amsterdam, BarbicanMonday, 25 April 2016
Banished from the Barbican are the hollow kings of the mediocre RSC Henrys IV and V. In their place comes a whole new procession of living, breathing monarchs in a vision that's light years away from bad heritage Shakespeare. Doyen of Dutch-Belgian... Read more... |
James McNeill Whistler: Prints, The Fine Art SocietySunday, 17 April 2016
It can be given to few commercial galleries to have sustained a relationship with the same artist for over 130 years, but such is the link between The Fine Art Society and James McNeill Whistler (1834-1903).The FAS was founded in 1876, and is still... Read more... |
Opinion: Paintings with nothing to lose but their framesFriday, 18 March 2016
The dazzling, controversial, fascinating exhibition In the Age of Giorgione at the Royal Academy inadvertently provides a striking example of an unavoidable and perhaps insoluble problem common to almost all exhibitions of painting – especially... Read more... |
In the Age of Giorgione, Royal AcademySaturday, 12 March 2016
Much is made of the mystery surrounding Giorgione, a painter of pivotal influence, about whom, paradoxically, we know almost nothing beyond the manner of his death. He died in a Venetian plague colony in 1510 aged about 33, and was as elusive in the... Read more... |
