Theatre Reviews
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much elseThursday, 21 March 2024
In what feels like the beginning, or at least the Old Testament, there was Riverdance. Now, ready to flow through the world once the world knows it needs it, there’s a rainbow-coloured river of just about everything musical and choreographic that’s found its place in contemporary Ireland, performed with a pulsating energy as well as a poetry that stops you wondering too much about all the connections. Read more... |
Harry Clarke, Ambassadors Theatre review - an entertaining curioThursday, 14 March 2024
Is it just coincidence, or something about the post-Covid theatrical landscape, that one-person shows are becoming commonplace; don’t producers know that it’s OK to share a stage again? Read more... |
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choiceMonday, 11 March 2024
"We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one is tempted to respond, "yeah, right." Read more... |
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End returnSaturday, 09 March 2024
When For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy first moved to the West End in 2023, it felt like a risky venture. It had started in the tiny New Diorama, and later packed out the Royal Royal Court, but was a transfer to Shaftesbury Avenue a crazy step too far? Read more... |
The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act bestTuesday, 05 March 2024
“All discord without this circumference,” the Duchess of Malfi tells the good man she’s just asked to be her husband, “is only to be pitied and not feared”. Perhaps the villains should be more feared and less pitied in the imbalanced casting of Rachel Bagshaw’s clear and yet still atmospheric new production of Webster’s supposed shocker. Read more... |
Standing at the Sky's Edge, Gillian Lynne Theatre review - heartwarming Sheffield musical arrives in the West EndFriday, 01 March 2024
Can there be anyone from Sheffield who has not seen Standing at the Sky’s Edge, possibly several times? Read more... |
Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling stagingFriday, 01 March 2024
Transgression was so deliciously enticing. Back in the Eighties when I saw Les Liaisons Dangereuses in the West End on three occasions, life was simpler – or so us straight white men flattered ourselves to believe. Read more... |
The Human Body, Donmar Warehouse review - Keeley Hawes and Jack Davenport excel in an intriguing stagingThursday, 29 February 2024
Keeley Hawes onstage is something to look forward to, so rare are her appearances there. Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? Read more... |
Cable Street, Southwark Playhouse review - engaging new musical in an impressive stagingWednesday, 28 February 2024
Hot on the heels of Brigid Larmour’s updating of The Merchant of Venice to the East End in 1936, a spirited new musical across town at Southwark Playhouse is tackling the same topic: the impact of rising British fascism in the same era, culminating in the clash between locals with Oswald Mosley’s British Union of Fascists (BUF) on the streets of Bethnal Green. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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