TV
Westworld, Series 2, Sky Atlantic review - big trouble in synthetic paradiseTuesday, 24 April 2018
Some critics complain that Westworld is too complicated for its own good, and you can see their point. Even on a basic level, it’s an exploration of the nature and potential of artificial intelligence, as it depicts the consequences of super-... Read more... |
The Woman in White, BBC One review - camp VictorianaMonday, 23 April 2018
The BBC excels at a very particular kind of drama, namely one where production values overawe dramatic content. Its version of The Woman in White (BBC One) proves no exception. Our hero is Walter, a bemused sappy painter played by ex-Eastender Ben... Read more... |
Home From Home, BBC One review - Johnny Vegas as everyman heroSaturday, 21 April 2018
Home From Home, written by newcomers Chris Fewtrell and Simon Crowther, first saw life as a pilot in the BBC’s Landmark Sitcom Season in 2016, the channel's search for new and original content for its schedules. Well, new it may be, but original it... Read more... |
True Horror, Channel 4 review - a Ronseal approach to ghost storiesFriday, 20 April 2018
As if the real world wasn’t scary enough... Ghost stories are en vogue at the moment, and after the BBC’s hit-and-miss Requiem, Channel 4 brings True Horror to the small screen – a collection of "real" ghost stories, told by witness interviews and... Read more... |
Occupied, series 2, Sky Atlantic review - political conflicts looking all too actualThursday, 19 April 2018
Eight months have passed since the Russians invaded Norway in the first season of Jo Nesbo’s neo-Cold War thriller. Real-life events have only made Occupied seem more relevant. Like Conrad’s novel Under Western Eyes, it dramatises the clash between... Read more... |
Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’Wednesday, 18 April 2018
When doctors told Doreen Lawrence her son had died she thought, "That’s not true." Spending time with his body in the hospital, aside from a cut on his cheek, it seemed to her he was sleeping. The death of a child will always be strange, and in the... Read more... |
The Queen's Green Planet, ITV review - right royal arborealsTuesday, 17 April 2018
QCC isn’t the name of a new football club, nor some higher qualification for those toiling at the Bar, but stands for "Queen’s Commonwealth Canopy". Had you heard of it? On the eve of the Commonwealth conference, along came Jane Treays's gently... Read more... |
Helaine Blumenfeld: Britain’s most successful sculptor you’ve never heard ofTuesday, 17 April 2018
Sexy is an overused word in the arts but it’s an adjective you can’t help applying to some of Helaine Blumenfeld’s voluptuous marble sculptures as you run your fingers over their surfaces. These abstract bodily forms, often in the purest icing-white... Read more... |
Lifeline, Channel 4 review - Spanish sci-fi drama on speedMonday, 16 April 2018
It is with some trepidation that the globe-trotting viewer embarks on a new drama from Spain. Last year in BBC Four stole the best part of 20 hours of some lives with its split-series transmission of the maddening I Know Who You Are. Lifeline (... Read more... |
Law and Order, BBC Four review - not a fair copFriday, 13 April 2018
In the late 1970s the British establishment sustained a bloody nose. Roland Huntford published his debunking of Captain Scott and Anthony Blunt was outed as the Fourth Man, while the Old Etonian Liberal party leader Jeremy Thorpe was tried for... Read more... |
Boy George and Culture Club: From Karma to Calamity, BBC FourThursday, 12 April 2018
The title signalled what was coming so clearly, it may as well have been called When Bands End Badly: the two camps, the arguments and sniping and the eventual collapse of Culture Club’s US and UK tour to promote an album of new material. It’s... Read more... |
Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter endSunday, 08 April 2018
In the previous couple of episodes, some light began to seep into the subterranean gloom of the Copenhagen kidnappers, or at any rate onto their identities and motivations. The military theme with which Below the Surface opened, with Philip Norgaard... Read more... |
