TV
Mrs Wilson finale, BBC One review - stranger than fictionWednesday, 12 December 2018
As the priest said, "Understanding comes first, then forgiveness". Thus the rather enjoyable (if slightly overstretched) Mrs Wilson came to a not exactly happy, but certainly forgiving, ending. Ruth Wilson held the screen over three episodes of this... Read more... |
Sir Cliff Richard: 60 Years in Public and in Private, ITV review - bachelor boy bounces backTuesday, 11 December 2018
It was when he was on holiday at his agreeable estate in the Algarve in August 2014 that Cliff Richard got a phone call telling him his Berkshire home was being raided by the South Yorkshire Police. It was the beginning of a four-year ordeal in... Read more... |
Care, BBC One review - a blunt but powerful polemicMonday, 10 December 2018
You wouldn’t turn to Jimmy McGovern for a drawing-room comedy, but there’s no doubting his gift for seizing big issues and turning into them raw, bleeding chunks of drama. You’re either for him or against him, but if you’re against him he’d love to... Read more... |
Barbra Streisand: Becoming an Icon 1942-1984, BBC Four review - the way she wasSunday, 09 December 2018
Perhaps belatedly prompted by the release of Barbra Streisand’s new album Walls, the worst-selling disc in her 55 years with Columbia Records, this documentary was an uncritical celebration of Babs’s brilliant career from her first stage appearances... Read more... |
The Little Drummer Girl, BBC One, series finale review - Le Carré drama comes to the boil at lastMonday, 03 December 2018
Was The Little Drummer Girl commissioned by algorithm? Those who liked The Night Manager might reasonably have been supposed to enjoy another le Carré adaptation. The two dramas had DNA in common. Both steered away from the Cold War, and told of a... Read more... |
Kidding, Sky Atlantic review - tears of a clownFriday, 30 November 2018
There’s no one right way to grieve. It cuts through everyone differently, whether reverting to childhood traits or out-of-character impulses. The person you lose might mean one thing to you, and something completely different to someone else; it can... Read more... |
Death and Nightingales, BBC Two, review - slow, lyrical, slightly dullThursday, 29 November 2018
And now for something completely different from The Fall. The nerve-shredding drama from Northern Ireland was written by Allan Cubitt and featured, as its resident psychopathic hottie, Jamie Dornan (pictured below). It seems the two couldn’t get... Read more... |
Mrs Wilson, BBC One review - real-life secrets and liesWednesday, 28 November 2018
In which the titular Mrs Wilson is played by her real-life granddaughter Ruth Wilson, in an intriguing tale of subterfuge both personal and professional. The curtain rose over suburban west London in the 1960s, where Alison Wilson was married to... Read more... |
The Last Kingdom, Series 3, Netflix review - idylls of the kingFriday, 23 November 2018
Destiny is all. The first two series of The Last Kingdom debuted on BBC Two, but for series three it has been fully embraced by Netflix. Global domination surely looms, since these latest exploits of Uhtred, the warrior who was born a Saxon but... Read more... |
My Brilliant Friend, Sky Atlantic review - rich revelations of childhoodTuesday, 20 November 2018
This opening episode of My Brilliant Friend was a stunning symphony in grey. For any viewers concerned that HBO’s long-awaited Elena Ferrante adaptation might be tempted to sweeten the visual experience of the writer’s impoverished 1950s Naples... Read more... |
Louis Theroux's Altered States: Choosing Death, BBC Two review - profound and movingMonday, 19 November 2018
The toughest subject you can imagine: when, and how, would you choose death over life? This riveting film examined that excruciating dilemma within the legal frameworks on offer to some of the terminally ill in the United States. Louis Theroux,... Read more... |
Our Classical Century, BBC Four review - enthusiasm and delightFriday, 16 November 2018
Jerusalem! This fact-studded story of 20th century British music told us that the nation's unofficial national anthem, Hubert Parry’s setting of William Blake’s poem, originated in 1916 as a commission from the “Fight for Right” movement. Officials... Read more... |
