TV
Cobra, Sky 1 review - entertaining mix of political mischief and cosmic chaosSaturday, 18 January 2020
If nothing else, you’d want to tune in to Cobra (Sky 1) for its cast. Robert Carlyle is steely and decisive as Prime Minister Robert Sutherland, his indispensable fixer Anna Marshall is played by Victoria “Queen Mother” Hamilton, and David Haig... Read more... |
Messiah, Netflix review - con-artist or the Second Coming?Wednesday, 15 January 2020
It’s an intriguing question. If a new Messiah appeared today, what kind of reception could he (if it was a he) expect? Possibly something similar to the one which greeted Jesus, according to Netflix’s new series Messiah.Created by Michael Petroni,... Read more... |
This Is Our Family, Sky Atlantic review - can Emma and Tony live happily ever after?Wednesday, 15 January 2020
Sky Atlantic is usually where you go for big-hitting dramas, so this quartet of observational documentaries is an unexpected development. Each film follows a single family over three years, and each family faces particular challenges.In this opener... Read more... |
How to Steal Pigs and Influence People, Channel 4 review - the arcane world of the online vegan influencersWednesday, 15 January 2020
Filmmaker Tom Costello’s opening question in this quixotic but fascinating documentary for Channel 4 deftly skewered the journey he was about to take us on. Was making change or finding fame more important? he asked, and by the end of the story it... Read more... |
Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish villageSaturday, 11 January 2020
An idyllic Scottish classroom full of happy children making sponge paintings of flowers with two enthusiastic young teachers – clearly, doom is in the air. Here comes that sense of dread again a little later at a ceilidh in a village hall, with... Read more... |
White House Farm, ITV review - gripping opener of true crime dramaThursday, 09 January 2020
It's the smallest lies that can bring you down. When he is asked by a detective how he got on with his family, who have just been murdered in a mass shooting at their Essex farm, Jeremy Bamber (Freddie Fox) says: “Really well. We were friends.” A... Read more... |
Jonestown: Terror in the Jungle, BBC Four review - meticulous account of a haunting American tragedyWednesday, 08 January 2020
It happened 42 years ago, but the mass suicide of 900 people at the Jonestown settlement in Guyana is still an event that freezes the blood. They were members of the Peoples Temple, the semi-totalitarian cult founded by Jim Jones, who began as a... Read more... |
Cornwall: This Fishing Life, BBC Two review - a precarious trade on the ocean waveWednesday, 08 January 2020
Series about fishing have become a durable mini-genre, including the likes of Deadliest Catch and Saltwater Heroes. However, this new six-parter on BBC Two brings us much closer to home than Alaska or Tasmania, and probes into the lives of the... Read more... |
Dracula, BBC One review - horrific, and not in a good wayThursday, 02 January 2020
“Bela Lugosi’s dead,” as Bauhaus sang, in memory of the star of 1931’s Dracula. But of course death has never been an impediment to the career of the enfanged Transylvanian blood-sucker. Filmed and televisualised almost as frequently as Sherlock... Read more... |
Dame Edna Rules the Waves / The Graham Norton Show, BBC One review - two ways to run a talk showTuesday, 31 December 2019
Talk shows can go one of two ways. You can create a welcoming space where your guests can kick their shoes off and start telling daringly revealing anecdotes. Alternatively, there’s the Dame Edna formula where the guests are cannon fodder for the... Read more... |
The Trial of Christine Keeler, BBC One review - famous sex scandal makes uneven dramaMonday, 30 December 2019
One good Sixties brouhaha deserves another. After last year’s triumphant revival of the Jeremy Thorpe affair in A Very English Scandal, here comes the sleazy saga of John Profumo, the Conservative Secretary of State for War who was forced to resign... Read more... |
Best of 2019: TVMonday, 30 December 2019
As symbolic moments go, the arrival of Martin Scorsese's new gangster epic The Irishman on Netflix took some beating. It exemplified the adage that "TV is the new cinema", and at the same time perhaps suggested a new and less digestible adage,... Read more... |
