Dance
The Little Match Girl, Lilian Baylis Studio TheatreThursday, 17 December 2015
I habitually skipped over Hans Christian Andersen's Little Match Girl in my childhood fairy tale compendium because I couldn't bear the sadness (see also: The Happy Prince *sob*). Parents of sensitive children will therefore be relieved to know that... Read more... |
Matthew Bourne's Sleeping Beauty, Sadler's WellsFriday, 11 December 2015
If Matthew Bourne never made another story ballet, his company New Adventures could probably carry on touring his back catalogue till the end of time. The Sleeping Beauty is only on its second London outing, and although it lacks the emotional clout... Read more... |
Carlos Acosta: A Classical Selection, London ColiseumThursday, 10 December 2015
“Every time I go on stage it could be the last,” Carlos Acosta warned a few years back. And now that moment has come – or very nearly. There are a scant six performances of this farewell gala at the Coliseum (largely a reprise of an Olivier-winning... Read more... |
The Nutcracker, Royal BalletThursday, 10 December 2015
With its hybrid Romantic-kitschy plot, chocolate-advert Tchaikovksy tunes, and baggage of obligatory Christmas cheer, the Nutcracker is harder to get right than you might think if you've only ever seen Sir Peter Wright's Royal Ballet version, now... Read more... |
Conceal|Reveal, Sadler's WellsFriday, 27 November 2015
Any partnership that lasts for 20 years deserves a party, and last night at Sadler's was a celebration of the wonderfully fruitful working relationship between choreographer Russell Maliphant and lighting designer Michael Hulls. Both clinking with... Read more... |
The Two Pigeons, Royal BalletFriday, 20 November 2015
With real live birds fluttering across the stage, and a sweetly happy ending – hurrah for young love! – Frederick Ashton's 1961 The Two Pigeons can look like mere frothy fantasy, precisely the kind of trivial, uncomplicated... Read more... |
Yolanda Sonnabend: designer of MacMillan's 'neurotic' balletsMonday, 16 November 2015
Ever since Diaghilev’s day the relationship of dance movement to its visual design has been a lively, sometimes combative affair. Sometimes people leave whistling the set, saying shame about the dance; other times they hate the set, love the dance.... Read more... |
Sacre, Sasha Waltz and Guests, Sadler's WellsFriday, 13 November 2015
What dancemaker wouldn't want to tackle Le Sacre du Printemps (The Rite of Spring) at some point? Just as the Stravinsky score changed music, the original Ballets Russes production changed dance - and was then, conveniently, so completely forgotten... Read more... |
Love, Art and Rock 'n' Roll, Rambert, Sadler's WellsWednesday, 04 November 2015
A good triple bill should have something for everyone, so Rambert have all bases covered with their latest: rare must be the person who likes neither love, nor art, nor rock 'n' roll. In fact, it's a safe bet that most people like all of them, and... Read more... |
BalletBoyz at the Roundhouse, BBC FourSaturday, 31 October 2015
What I want to know is: has there been a major upsurge in boys taking contemporary dance classes this year? And if not, why not? With the amount of male dancing in the media these days, the excuse that boys lack dancing role models just won't wash... Read more... |
Gravity Fatigue, Hussein Chalayan, Sadler's WellsFriday, 30 October 2015
If you thought the era of the impresario died with Diaghilev, think again. Alistair Spalding, chief executive of Sadler's Wells, has commercial and artistic vision in spades, and masterfully combines them in his operation at the Wells. Witness last... Read more... |
Carmen, Royal BalletWednesday, 28 October 2015
Carlos Acosta is that rare 21st-century phenomenon – a performer who has become a household name without the help of reality TV. Even people who run a mile from ballet know the story of the Havana slum boy made good through perseverance... Read more... |
