Dance
Ballet Boyz, The Talent, AylesburyTuesday, 15 February 2011
Aylesbury, a town without a theatre, has built itself one - a gleaming, glass-fronted, smack-you-in-the-eye 1,500-seater, driven and supported by the district council. High Wycombe and Milton Keynes must beware, so thin are the pickings these days... Read more... |
Shoes, Peacock TheatreTuesday, 15 February 2011
It is perfectly true that, as Arthur Marshall once said of Ibsen, I am Not a Fun One. A party really is a party without me there. And Shoes, now transferred from Sadler’s Wells, is not much of a party, whether I’m there or not. Conceived in cynicism... Read more... |
Birmingham Royal Ballet, 2010-11 SeasonThursday, 10 February 2011
Family favourites and fewer dates on the spring split tours mark straitened circumstances for Britain's busiest touring company, Birmingham Royal Ballet, keeping a smiling, child-friendly face on. Coppelia, La Fille mal gardée and the London... Read more... |
theartsdesk in Madrid: Nuevo Flamenco Comes of AgeSunday, 06 February 2011
I am far from the first - and in very good company - to worry about the over-commercialisation of flamenco. As far back as in 1922 Manuel de Falla and Federico Garcia Lorca, respectively Spain’s greatest composer and poet of the time, decided to... Read more... |
American Ballet Theatre, Prog 2, Sadler’s WellsWednesday, 02 February 2011
Jardin aux Lilas is one of ABT’s great calling cards, and it was danced with great seriousness of purpose and devotion by an admirably schooled cast. This short ballet, to "Poème" by Chausson (admirably played by a pick-up orchestra), is one of... Read more... |
American Ballet Theatre, Prog 1, Sadler's WellsTuesday, 01 February 2011
Was it the worst-played and worst-danced performance of Duo Concertant I’ve ever seen? I can’t remember a direr in my experience of quite a few DCs. But then the opening night of American Ballet Theatre’s London tour was a set of fine promises... Read more... |
Royal Opera & Royal Ballet, 2011 SeasonMonday, 31 January 2011
2011 at Covent Garden launches with two much-anticipated world premieres in February: Christopher Wheeldon's first full-length storyballet, Alice's Adventures in Wonderland, and Mark-Anthony Turnage's Anna Nicole, written by Richard Thomas (of Jerry... Read more... |
Du Goudron et Des Plumes, Barbican/ Flogging a Dead Horse, Roundhouse StudioFriday, 28 January 2011
Five people stand in the dark. A bleak gantry descends with a rumble onto their heads. They scuttle under it and flatten themselves to escape a crushing, but then they get up and start building. The platform is stripped of planks, rebuilt at crazy... Read more... |
Les Antliaclastes, Institute of Contemporary Arts/ A Guide to PuppetryMonday, 24 January 2011
The puppets appearing in LIMF this year are by no means all child-friendly - after the mild kiddy-horror of Teatro Corsario and their hand-manipulated Bunraku creatures, the return of the much more disturbing imagination of Patrick Sims, founder and... Read more... |
Swan Lake, Royal BalletSunday, 23 January 2011
The return of the Royal Ballet’s Swan Lake production coincides with the tumult over the film Black Swan, about which the company’s marketing department must be pretty pleased, even if some of the dancers aren’t. The chief surprise for any newcomers... Read more... |
LIMF: La Maldición De Poe, Purcell Room/ Flesh and Blood & Fish and Fowl, Barbican PitThursday, 20 January 2011
The up - which I’m sorry not to have reported on before it ended last night - was the Spanish puppetry troupe Teatro Corsario, who made their hour’s strut and fret upon the stage in the Southbank Centre’s Purcell Room a pleasingly diverting wee... Read more... |
Southbank Centre, 2011 SeasonMonday, 17 January 2011
Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go... Read more... |
