Dance
Pina 3D/ Giselle 3DTuesday, 19 April 2011
Pina Bausch decided: “Words can’t do more than just evoke things - that’s where dance comes in.” Well, up to a point, Lord Copper. Only if they’re bad words and good dance - bad writhing instead of, say, Shakespeare’s words isn’t much of a swap. But... Read more... |
Rosas, Bartók/ Mikrokosmos, Sadler's WellsSaturday, 16 April 2011
Sometimes, watching contemporary dance, you feel that no choreographer has ever known a happy moment – such angst, such grief, such terrible agony rolls over the footlights out to the audience that arriving at the theatre feeling mildly content can... Read more... |
Thamar/ Sheherazade, Les Saisons Russes, London ColiseumThursday, 14 April 2011
We’ve been so well educated or so roundly brainwashed to expect a certain high standard of Russian ballet that to experience the first two programmes of the three offered by the “Russian Seasons" team at the Coliseum, so-called tributes to... Read more... |
Royal Opera & Royal Ballet, 2011-12 SeasonThursday, 14 April 2011
The Royal Opera House's 2011-12 season takes place under the shadow of a 15 per cent cut in public funding and the looming London Olympics. There are 12 ballet bills and 18 opera nights, including one new opera and two new short ballets.Tony Hall,... Read more... |
The Blue God/ The Firebird, Les Saisons Russes du XXI Siècle, London ColiseumWednesday, 13 April 2011
Anyone who feels, as I do, that the Aesthetic Movement's "cult of beauty" now on display at the Victoria and Albert Museum can't compare with the fabulous Ballets Russes exhibition which went before it can dine again on a feast of Russian colour at... Read more... |
Alice, Scottish Ballet, Glasgow Theatre RoyalWednesday, 13 April 2011
As the young waitress said in the restaurant where we ate after last night’s world premiere of Ashley Page’s Alice in Glasgow, she hadn’t ever been to ballet, but she was tempted to go for this - “It’s Alice after all, isn’t it? Wonderland. I’d love... Read more... |
The Ballets Russes Return to RussiaTuesday, 12 April 2011
Ninety-nine years ago, there were sights and stars seen upon the ballet stage as had never been dreamed of. A young genius of 32 was the driving engine of Diaghilev’s Ballets Russes - the choreographer Mikhail Fokine, who created fantasies of... Read more... |
Rosas, Fase, Sadler’s WellsSunday, 10 April 2011
How do simple things get complicated? How do they stay simple once they are complicated? These might, perhaps, be the questions from which choreographer Anne Teresa de Keersmaeker, starts. But in fact, she starts, as all great choreographers do,... Read more... |
The Place Prize for Dance/ Cinderella, Royal BalletThursday, 07 April 2011
Reports of ballet’s death are greatly exaggerated, but I’m not equally sanguine about the craft of choreography. Having sat dumbstruck through the four limping dogs masquerading as finalists in The Place’s prize “for dance” [sic] on Tuesday, I... Read more... |
DVD: The Tales of Beatrix PotterThursday, 07 April 2011
Forty years ago, my childhood self wasn't in the least bored by Frederick Ashton's balletic animal magic: I saw it twice in cinemas large and small and asked for the soundtrack LP of John Lanchbery's masterly Victorian-potpourri ballet score for my... Read more... |
Daniel Linehan, Sadler's Wells, Lilian Baylis TheatreWednesday, 06 April 2011
Photography is linked closely with memory. Photographs help us recall family, friends, holidays, and it can attest to an event. But one could argue that it actually serves a purpose of forgetting. As we are immersed in a digital age, the photograph... Read more... |
Summary of main Arts Council winners and losersWednesday, 30 March 2011A sliderule of 11-15 per cent reductions in annual grants by 2015, compared with this year, has been applied to Britain's major orchestras, opera, dance, theatre and music organisations. One major gainer is London's Barbican Centre - one major loser... Read more... |
