wed 09/07/2025

Comedy

Hannah Gadsby, Royal Festival Hall review - simply magnificent

It's a wonderful thing when a talented comic goes from niche performer to international star almost overnight, and that's what happened to Australian stand-up Hannah Gadsby. In 2017, she announced that her award-winning Edinburgh Fringe show,...

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Elf Lyons, Komedia, Brighton review - bonkers, brilliant and a bit of bare bum

Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason...

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Rob Beckett, St David's Hall, Cardiff review - a mixed bag of observations

There’s been no avoiding Rob Beckett in recent years. His high beam smile and infectious personality have made him a mainstay of comedy shows. Now he’s back on the road with what he calls the best job in the world, stand up. You can tell he means it...

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DVD: Do Not Adjust Your Set / At Last The 1948 Show

Both first broadcast in 1967, Do Not Adjust Your Set and At Last the 1948 Show were collectively written and performed by the future Monty Python team. More written about and discussed than actually seen, many episodes were wiped or lost, and these...

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Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

Eddie Izzard is dressed in a killer outfit of black leather jacket, tartan mini-kilt, thigh-length stiletto boots – and false boobs. “I got them at IKEA,” he deadpans. He’s in jovial form for Wunderbar, his farewell tour before he hopes to enter...

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Russell Howard, Cardiff Motorpoint Arena review - a return with bite

It’s been two years since Russell Howard last performed stand-up. That’s a long gap for such an established fixture of British comedy. As he points out, the world has changed, something reflected in his new show Respite. There are still the...

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Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

Ed Byrne's new show takes a philosophical bent as he muses on middle age and fatherhood. But don't worry, he's not getting soft at the age of 47 – he's as sarcastic, caustic and self-deprecating as ever in If I'm Honest...He starts by telling us how...

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Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

Count Arthur Strong, the character created by Steve Delaney, started life in the late 1990s and  became a cult figure at the Edinburgh Fringe over several years. Radio shows and three series of a television sitcom (written with Graham Linehan)...

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Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

Rob Brydon, Lee Mack and David Mitchell are the host and team captains respectively of Would I Lie to You?, the long-running BBC One panel game. Now they are touring together in Town to Town, which is family-friendly fun (with occasional naughtiness...

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Romesh Ranganathan, Brighton Dome review - transgressive, edgy and very likeable

One question springs immediately to mind on hearing that Romesh Ranganathan’s new stand-up show, The Cynic’s Mixtape, is touring: how does he find the time? Ranganathan has overtaken Jack Whitehall as Britain’s most media ubiquitous comic, with a...

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Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

Memory is a funny thing: it can get you through exams; it can comfort you or distress you; it can last a lifetime or go in an instant. In Sofie Hagen's case, her idiosyncratic one has provided material for her new show Bumswing, which started life...

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Edinburgh Fringe 2019 reviews: Jordan Brookes/ Catherine Cohen

Jordan Brookes Pleasance Courtyard ★★★★Jordan Brookes doesn’t tell gags. Well, he does but not in a traditional stand-up way. Rather, his jokes are subtly inserted into I’ve Got Nothing’s seemingly disjointed narrative.Brookes’s previous shows...

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