mon 21/07/2025

Classical music

Hahn, Philharmonia, Chan, Royal Festival Hall review – nature's angels and demons

One benefit of the green tide in culture – music included – is that it should allow audiences to approach the arts inspired by the natural world in Britain, and elsewhere, a century ago with fresh ears and eyes. Weary over-familiarity can render a...

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Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

Where is the stage – outside or within? The question posed by the prologue of Bartók’s only opera addresses the fundamental privacy of our thoughts, as well as setting the scene for its drama within the theatre of our own minds. For many of us a...

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Bournemouth SO, Litton, Lighthouse, Poole review - a Coup de Ballet sans dancers

Welcome back Andrew Litton, Conductor Laureate of the Bournemouth Symphony, for the latest of many happy annual returns since his tenure as Principal Conductor between 1988 and 1994.Lighthouse was thronged with devoted supporters for both the...

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Dmitri Alexeev and Friends, St John's Smith Square review - an almost breathless brio

As part of a concert series devoted to the memory of a great pianist and teacher, Georgian-born Dmitri Bashkirov, Russian legends Dmitri Alexeev and Nikolai Demidenko were to have reunited in a two-piano spectacular (I well remember their Wigmore...

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Baeva, Ulster Orchestra, Rustioni, Ulster Hall, Belfast review - magic from an Italian star conductor

At last! The eagerly awaited first opportunity in the new 2021-22 Belfast concert season to catch up with the Ulster Orchestra’s Chief Conductor, Daniele Rustioni has arrived. He took up his appointment for the new autumn season in 2019, but the...

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'Everyone who played for him always gave their very best': remembering Bernard Haitink (1929-2021)

Few musicians get to stage-manage a dignified departure from the world. Among his last compositions, Richard Strauss set a poem by Eichendorff depicting an old couple looking into the sunset and asking “is this perhaps death?”, and towards the end...

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Classical CDs: Two bass drums, three oranges and seven symphonies

 Prokofiev: The Symphonies Bergen Philharmonic Orchestra/Andrew Litton (BIS)The first CD alone (containing almost 87 minutes of music!) in this five-disc set should be enough to convince you to buy the whole thing. Andrew Litton’s Bergen...

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Dennis, SCO, Whelan, Queen’s Hall, Edinburgh review - period touches and classical sparkle

Peter Whelan is best known to Scottish audiences from his years of service as principal bassoon in the Scottish Chamber Orchestra. He left to pursue other projects several years ago, the most illustrious of which has probably been his work with the...

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Williams, City of London Sinfonia, Southwark Cathedral review - a British Isles cornucopia

A year ago, the City of London Sinfonia’s quietly different concerts in Southwark Cathedral were a lifeline in the twilight of semi-lockdown; I’ll never forget how we treasured the last, on 17 November, knowing that everything would be closed again...

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Monteverdi Vespers, La Nuova Musica, Bates, Wigmore Hall review - small venue, huge impact

I last heard Monteverdi’s Vespers of the Blessed Virgin, published in 1610, at Garsington Opera as the summer light of the Chilterns slowly dimmed across an airy auditorium dotted with singers who bathed us in scintillating meteor-showers of sound....

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Delepelaire, RSNO, Søndergård, Usher Hall, Edinburgh review - festive and magical

“What a lovely sound that was!” declared Music Director Thomas Søndergård, bounding onto the podium of the Usher Hall. He was referring, of course, to the warm applause greeting the Royal Scottish National Orchestra on its first full outing in front...

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CBSO Quartet, Hockley Social Club, Birmingham review - unveiling of innovative new partnership

Kicking off a brand new partnership between the City of Birmingham Symphony Orchestra and Hockley Social Club, this first ever Symphonic Session saw a string quartet from the CBSO take centre stage at Birmingham’s latest street-food venue, Hockley...

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