Classical music
CBSO Chorus, Czech Philharmonic, Bychkov, Barbican review - a mass of lifeThursday, 17 March 2022
One of the world’s top five orchestras – sorry, but I locate them all in continental Europe – played on the second night of its London visit to a half-empty Barbican Hall. Half-full, rather, attentive and ecstatic. As for the much-criticised venue,... Read more... |
Wang, Czech Philharmonic, Bychkov, Barbican review - the sound of historyWednesday, 16 March 2022
“The past is never dead,” William Faulkner famously wrote. “It’s not even past.” Funny to think that I approached 2022 bored in advance with all the glib celebrations of post-WWI international modernist breakthroughs that the centenary of Ulysses... Read more... |
Russians and friends play on for UkraineWednesday, 16 March 2022
National sensitivities are running understandably high right now in the thick of an ever-escalating aggression. What a shame that the Southbank Centre has excluded Russian artists from performing alongside British and Ukrainian performers to bring a... Read more... |
Bartlett, LPO, Mathieson, Congress Theatre, Eastbourne review – Rhymes, Rhapsody and Winter DaydreamsTuesday, 15 March 2022
Who could have imagined the table-turning controversy that might have cast doubt on the inclusion of works by Rachmaninov and Tchaikovsky when planning this programme?Before raising the baton, Holly Mathieson expressed the hope that Russian music... Read more... |
Philippens, BBCSSO, Wigglesworth, Usher Hall, Edinburgh review - peace and triumph side by sideMonday, 14 March 2022
Mark Wigglesworth is a semi-regular guest with the BBC Scottish Symphony Orchestra, and he’s hugely experienced in the opera world, which might explain why my expectations were so high for his Wagner in this concert. In the event, though, I didn’t... Read more... |
Cabell, LSO, Rattle, Barbican review - transatlantic trafficFriday, 11 March 2022
Had he never written a note of his own, George Walker would still have left a record of trailblazing achievements. Born in Washington DC in 1922, he studied piano at Oberlin College and the Curtis Institute (the conservatoire that notoriously... Read more... |
Koranyi, Hallé, Berglund, Bridgewater Hall, Manchester review - beauty and joyFriday, 11 March 2022
It’s catching on … for the second consecutive night I heard an orchestra begin by playing, to a standing audience, the Ukrainian national anthem. The previous night it was Opera North’s musicians: this time the Norwegian conductor Tabita Berglund... Read more... |
Rangwanasha, OAE, Fischer, RFH review - Mahler reimaginedWednesday, 09 March 2022
Mahler on modern instruments is ubiquitous these days, so historically informed performance is bound to be revealing. Here, the Orchestra of the Age of Enlightenment brought transparency and focus to Mahler’s often complex textures in his Fourth... Read more... |
Hough, BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - Beethoven for todayTuesday, 08 March 2022
There was something extraordinarily powerful and moving about Saturday’s Beethoven commemoration concert by the BBC Philharmonic and its chief conductor, Omer Meir Wellber.Originally planned for 2020 but of course postponed, its second part... Read more... |
Simon Trpčeski and Friends, Wigmore Hall online review – chamber music classics old and newTuesday, 08 March 2022
The main course of this Wigmore lunchtime concert was Brahms but I was lured in by the dessert: a rare chance in this country to hear the music of the French composer Guillaume Connesson. Macedonian pianist Simon Trpčeski and his international group... Read more... |
Cooper, Bournemouth SO, Wigglesworth, Lighthouse, Poole review – musical sunburstsMonday, 07 March 2022
With reference to smiles beginning to emerge from behind our masks, Mark Wigglesworth, the Bournemouth Symphony Orchestra’s new Principal Guest Conductor, wrote the most hopeful and optimistic note of welcome in the programme for this concert... Read more... |
SCO, Leleux, Queen’s Hall, Edinburgh review – new concerto for a deepening partnershipSaturday, 05 March 2022
You may well have seen a concerto performance that has been “directed from the keyboard”, or maybe even one that’s “led from the violin”, but have you ever seen a concerto that’s directed from the oboe?It’s quite a sight, I can tell you, and it... Read more... |
