Classical music
Batiashvili, Philadelphia Orchestra, Nézet-Séguin, Edinburgh International Festival 2022 review - classy playing, mismatched programmeMonday, 29 August 2022
For the penultimate concert in the Philadelphia Orchestra’s residency at the Edinburgh Festival, the chosen repertoire was evidently considered so obscure that the box office managers didn’t even try to sell any tickets in the Usher Hall’s cavernous... Read more... |
Prom 52, Kuusisto, Finnish RSO, Collon review - fairytales, folksongs and a soaring larkSaturday, 27 August 2022
Schoolteachers know – even if only the very best can put it into practice – that faced with a noisy classroom you shouldn’t raise your voice, but rather speak quietly. Over recent Proms seasons audience coughing has reached extreme levels, so the... Read more... |
Classical CDs: Symmetrical storms, basset horns and a happy workshopSaturday, 27 August 2022
Jacqueline du Pré: The Complete Warner Recordings (Warner Classics)There’s something both humbling and miraculous that a great musician’s recorded output can be squeezed into a neat box. Most of the material in Warner Classics’ latest... Read more... |
Pavel Haas Quartet, Edinburgh International Festival 2022 review - a scorching team on top formFriday, 26 August 2022
This is the Pavel Haas Quartet’s second visit to a Scottish festival this summer. They were among the stars of the East Neuk Festival at the start of July, and they were every bit as scorching in this Edinburgh International Festival concert.The... Read more... |
Prom 49, Mahler's 'Resurrection' Symphony, Connolly, Alder, LSO, Rattle review - a long and grand goodbyeThursday, 25 August 2022
Long goodbyes don’t get grander, warmer or more passionate than this. Sir Simon Rattle began his farewell season with the London Symphony Orchestra with a Proms performance of Mahler’s Second, “Resurrection” Symphony – the mighty work that has... Read more... |
Duval, Isserlis, Beatson, Fidelio Cafe review - in seventh heaven with the greatsWednesday, 24 August 2022
It feels like a decade, but only two and a bit years have passed since Steven Isserlis stepped out in front of a small but very much live audience at what was then the Fidelio Orchestra Cafe in July 2020. Three hundred or so Fidelio events later, he... Read more... |
Stagg, Australian World Orchestra, Mehta, Edinburgh International Festival 2022 review - Antipodeans with a global soundMonday, 22 August 2022
The Edinburgh International Festival is playing its part in the UK/Australia Season 2021-22 (no, me neither) by hosting this concert from the Australian World Orchestra. It’s comprised of Australian musicians who play in orchestras across Europe and... Read more... |
Prom 43, Solomon, The English Concert, Jeannin review - a Handelian box of delightsSaturday, 20 August 2022
Like many people, I grew up with cut-and-paste Handel. It could take decades before you found out where that shiny snippet of a childhood earworm truly belonged.A full-length Solomon, for instance – as delivered by The English Concert with a luxury... Read more... |
Prom 42, Lisiecki, BBC Scottish SO, Dausgaard review - concerto partnership made in heavenFriday, 19 August 2022
Sibelius or Nielsen symphonies? Last night, with the Finn’s Seventh in the first half and the Dane’s “Inextinguishable” (No. 4) in the second, choice should have been impossible. Francesco Piemontesi or Jan Lisiecki? I’d have been equally happy with... Read more... |
theartsdesk at the Kilkenny Arts Festival 2022 - a safe space to reflect on horrorsThursday, 18 August 2022
Essay-writing can be a great art, at least when executed by Hubert Butler of Kilkenny, on a par - whether you know his writing or not, and you should – with Bacon, Swift and Orwell. The same goes for speechifying. That level I witnessed, at the... Read more... |
Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonistWednesday, 17 August 2022
It does need saying: the RPO may receive less frequent plaudits than some of their London peers, but this is a fine and wonderfully responsive orchestra with a distinctive character.The string sections have a natural opulence and warmth in their... Read more... |
Prom 39, Hartwig, BBCSO, Oramo review - bright and breezy followed by a curate's eggTuesday, 16 August 2022
Two quirky concertos – one for orchestra, though it might also be called a sinfonietta – and a big symphony: best of British but, more important, international and world class. Sakari Oramo and the BBC Symphony Orchestra sounded glorious throughout... Read more... |
