sun 06/07/2025

Classical music

A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH review - baggy ferment of ideas and sounds

You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a concentrated mesh of Edward Said’s only-connect observations with a well-balanced musical programme,...

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BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - an International Women's Day special

Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to mark International Women’s Day, and consisting entirely of music by women composers, past and present....

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Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican review - from Russia, with tough love

Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world that feels utterly different yet even more terrifying, the great conductor turned the stellar talents of...

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Classical CDs: Funeral marches, festivals and film noir

 Quartets Through a Time of Change: music by Ravel, Durey, Tailleferre and Milhaud Brother Tree Sound (First Hand Records)There are plenty – and I mean plenty – of recordings of the Ravel String Quartet, the majority, I would guess, paired with...

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Mahan Esfahani, Wigmore Hall review - shimmering poise and radical brilliance

To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While there’s often playfulness and shimmering levity you can feel the thought behind each note. The Iranian-American’s passion for the harpsichord began when he was...

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Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review - new concerto and music of triumph

A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish composer who had to leave her native land in the 1930s and whose work has remained almost unknown until...

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Helen Charlston, Sholto Kynoch, Temple Church review - fine singing, powerful stage presence

Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and wide-ranging programme – consisting of a first half hopping through the centuries, followed by a...

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Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-...

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Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soul

At the age of 83, Martha Argerich contains more personality in her little finger than many people do in their entire bodies.Her vigorous, technically dazzling delivery of Beethoven’s Second Piano Concerto began before she even touched the piano. As...

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Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent pianist of her generation and accorded “national treasure” status as a result of the wartime lunchtime concert series at London’s...

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Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manchester review - blasts of Boulez, magical Ravel

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand Chamayou back: after his performance of the G major piano concerto in January, this time it was as soloist in the...

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Classical CDs: Snow, shards and swinging oars

 Snow Dance for the Dead: Choral Music by Seán Doherty New Dublin Voices/Bernie Sherlock (Voces8 Recordings)I have come across the choral music of Seán Doherty more and more recently and always liked what I have heard. His music is imaginative...

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