Classical music
Classical CDs: Cymbals, monsters and Morse codeSaturday, 25 February 2023
Bruckner: Symphony No. 7 Tonhalle-Orchester Zürich, Paavo Järvi (Alpha)Parsifal Suite London Philharmonic Orchestra/Andrew Gourlay (Orchid Classics)There are many things to like about this sleek performance of Bruckner 7. The playing of the... Read more... |
LPO, Adès, RFH review - tempests and infernosThursday, 23 February 2023
I was really looking forward to hearing music from Thomas Adès’s ballet The Dante Project again, after being so excited by it at the Royal Ballet last year. By contrast, I was seriously disappointed by his opera of The Tempest in 2003, and hoped to... Read more... |
Benjamin, Jaya-Ratnam, Harper, Milton Court review - black musicians take centre stageWednesday, 22 February 2023
This recital was a welcome opportunity to hear songs by a panoply of black composers – many of them women – ranging from Amanda Aldridge (1866-1956) to Ella Jarman-Pinto (b.1989), performed with extrovert glee by Nadine Benjamin, accompanied by... Read more... |
Jean-Efflam Bavouzet, Wigmore Hall review - virtuoso brilliance and thoughtfulness reveal Haydn's rangeTuesday, 21 February 2023
In a recent interview with the New York Times, Jean-Efflam Bavouzet mischievously described interpreting Haydn’s piano sonatas as “putting clothes on a rather naked skeleton… You have this joy of bringing it to life with all the tools you can... Read more... |
Jerusalem Quartet, Leonskaja, Wigmore Hall review - freedom and rigour in perfect balanceFriday, 17 February 2023
It’s not often that the most bittersweet moment in a rich concert comes in the encore. Elisabeth Leonskaja had already played the generous extra in question, the Dumka movement of Dvořák’s A major Piano Quintet, with the Staatskapelle Quartet only a... Read more... |
Boris Giltburg, Wigmore Hall review - tonal beauty trumps subjective romanticsWednesday, 15 February 2023
What a difference a piano can make. Boris Giltburg, like Angela Hewitt, prefers a very special Fazioli over the Steinways which dominate the concert scene at the Wigmore Hall and elsewhere. While those may yield a greater depth of field, more... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew MellorWednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness: sometimes “real and pure”, sometimes it “lingers despite... Read more... |
LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroicsMonday, 13 February 2023
So it turns out there isn’t a problem with Richard Strauss’s Ein Heldenleben (A Hero’s Life), a stroppy mock-epic I thought couldn’t ever love again, when constantly singing phrases from Antonio Pappano and the LSO turn it into an hallucinogenic... Read more... |
Hewitt, BBC Philharmonic, Davis, Bridgewater Hall, Manchester review - the classical styleMonday, 13 February 2023
Two intriguing themes and two great guest artists were offered by the BBC Philharmonic to their Saturday night audience in the Bridgewater Hall: the themes were what “classicism” really is, and the variety of music inspired by (or written for) dance... Read more... |
Classical CDs: Deserted churches, funeral marches and a Cornish lifeboatSaturday, 11 February 2023
Vaughan Williams: Fantasia on a theme by Thomas Tallis, Elgar: Introduction and Allegro etc Sinfonia of London/John Wilson (Chandos)John Wilson has done it again! He is, at breakneck speed, building an extraordinary catalogue of... Read more... |
Dmitri Alexeev, Leighton House review - shadows and light from a master pianistWednesday, 08 February 2023
You can brush aside any problems septuagenarian pianists may have in the toughest repertoire, especially if they give you more than glimpses of why they’re legends in the first place. Those were frequent from the masterly Dmitri Alexeev, long... Read more... |
The Damnation of Faust, LPO, Gardner, RFH review - the devil's in the detailMonday, 06 February 2023
No work gives its listeners such pleasure on the way to hell (and back) as Berlioz’s rule-busting “dramatic legend”, The Damnation of Faust. It delivers not just flamboyant thrills, but low comedy, high drama, pathos, terror, nostalgia, pastoral... Read more... |
