sun 06/07/2025

Classical music

London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I reviewed their latest release of Malcolm Arnold on theartsdesk only last week – as well as a busy schedule...

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Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in the shadow of Beethoven

Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features of Bach’s inexhaustible keyboard panorama at the edge of his pianistic picture. The much-loved...

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Mahler's Ninth, BBC Philharmonic, Gamzou, Bridgewater Hall, Manchester review - vision and intensity

There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but the one who we heard from was an interpreter of extraordinary vision and intensity. Yoel Gamzou is also a composer in...

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St Matthew Passion, Dunedin Consort, Butt, Queen’s Hall, Edinburgh review - life, meaning and depth

I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to Easter. It says something about how deeply engrained Bach’s Passion settings are in German culture that they...

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St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - the heights rescaled

When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because Bach’s St Matthew Passion needs to be an annual fixture without routine, and because inspirational IBO...

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Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - stomping, dancing, magical Vivaldi plus

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and some of his own music at the head of a mine in Svalbard: he was announced at the beginning of the concert as the...

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Small, Hallé, Wong, Bridgewater Hall, Manchester review - return to Shostakovich’s ambiguous triumphalism

Kahchun Wong returned to the symphony with which he made his first big impression conducting the Hallé – and made a big impression with it again.The evening in February 2023 when he conducted Shostakovich’s Fifth Symphony was his first concert with...

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LSO, Noseda, Barbican review - Half Six shake-up

Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on...

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Frang, LPO, Jurowski, RFH review - every beauty revealed

When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I been able to get to his heady mix of Russian and Ukrainian rarities; luckily I could on Saturday night,...

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Levit, Sternath, Wigmore Hall review - pushing the boundaries in Prokofiev and Shostakovich

Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in Hanover. Not only did Sternath get the obvious stunner of two Prokofiev sonatas in the first half; he...

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Classical CDs: Big bands, beasts and birdcalls

 Vox Feminae: music by Barbara Strozzi, Antonia Bemba,  Hieryonymus Kapsberger... Les Kapsber’girls/Albane Imbs (Alpha)What a complete transformation from one album to the next. The last one, Vous-avez dit brunettes? – "did you say...

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Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manchester review - a journey through French splendours

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation, beginning with Duruflé, continuing with Chausson and ending with Saint-Saëns. It was conducted by Geoffrey...

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