tue 08/07/2025

Classical music

Prom 42, Beethoven's Ninth Symphony, Aurora Orchestra, Collon review - a dramatic coup

Hugh Masekela used to give advice for concerts like this one: “If you haven’t got tickets, turn yourself into a cockroach.” Every seat for Aurora Orchestra’s Beethoven’s Ninth by Heart Prom had already sold out on the first morning when season...

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Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feeling

Bach’s St John Passion came into the world just three centuries ago, in Leipzig at Easter 1724. This year’s Proms shower of manna from musical heaven continued with a consummately polished, sensitive and – ultimately – very moving birthday...

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Prom 37, War Requiem, Clayton, Liverman, Romaniw, LSO, Pappano review - terror and tenderness

This year’s Proms programme initially gave rise to some now-customary sneers about predictability, banality and dumbing down. Well, it all depends on where you sit, and what you hear. And my seats have witnessed one absolute humdinger after another...

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Altstaedt, EUYO, Noseda, Edinburgh International Festival 2024 review - inclusive and brilliant

People hold lots of different opinions about the European Union, but there’s really only one acceptable opinion to be held about the European Union Youth Orchestra; namely, that they’re brilliant. Their visit to the Edinburgh International Festival...

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Prom 36, McGill, BBCSSO, New review - summery Shakespearean mummery

My three Proms so far this year have all featured regional BBC orchestras conducted by women, all excellent, and it surely reflects well on the Proms management that they have done so much to address this gender imbalance in recent years. In last...

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Classical CDs: Dinosaurs, harmonicas and final frontiers

 Fauré: Requiem, Gounod: Messe de Clovis Le Concert Spirituel/Hervé Niquet (Alpha-Classics)It was as an avid fan of the short story author Saki that my eye was drawn to the title of Gounod’s Messe de Clovis, although the Clovis here is the...

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Bostridge, Osborne, Edinburgh International Festival 2024 review - the heights and the abyss

When you stop to think about it, Schwanengesang is a pretty ridiculous thing. Schubert’s final song cycle was famously put together by his publishers after his death, and so it’s barely a cycle at all. Therefore, unlike Die schöne Müllerin and...

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Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

This Prom by the BBC National Orchestra of Wales and Nil Venditti featured a first half of Welsh composers, including the belated Proms debut of Karl Jenkins at the age of 80. It’s a sign of how Proms programming has evolved over the last 30 years...

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Prom 31, Mutter, West-Eastern Divan Orchestra, Barenboim review - beauty against barbarism

Founded by Daniel Barenboim and Edward Said, the West-Eastern Divan Orchestra first performed at the Proms – to a rapturous welcome – in 2003. For two decades the visits, and the audience rapture, have continued, while the region of most WEDO...

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Bamberg SO, Hrůša / Up Late at the Hub, Edinburgh International Festival 2024 review - death, life and points in between

When you’re running a three-concert residency, you can afford to take a few repertoire risks, to programme a few things that might be close to your heart but which won’t pack in the punters.That must be the reason why the Bamberg Symphony Orchestra’...

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Prom 30, National Youth Orchestra, NYO Inspire, Bloch, Jackson review - sheer youthful joy, passion and precision

Let’s begin at the end. Can the Paris Olympics' closing ceremony offer anything as classy or joyous as 260 musicians aged 13 to 18 singing the French carol-plus-farandole finale of Bizet’s L'Arlésienne music?* This encore also made Proms history as...

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Classical CDs: Queens, crotales and secret gardens

 Arthur Bliss: Works for Brass Band Black Dyke Band,/John Wilson (Chandos) I’ve really got into the music of Arthur Bliss over the last couple of years, aided by Paul Spicer’s authoritative 1923 biography. I had always had Bliss in my head as a...

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