tue 08/07/2025

Classical music

Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - finish line of a remarkable marathon

“Mozart, made in Manchester”, the project to perform and record an edition of the piano concertos plus all the opera overtures, seemed a distant destination and an unlikely marathon when Manchester Camerata embarked on it eight years ago.But with...

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theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyond

The high level of entries for this year’s Leeds Piano Competition – 366, almost twice the number who entered in 2018 – is just one reminder that any young pianist wanting to make their name today is negotiating shark-infested waters. Technical...

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Donohoe, Roscoe, Stoller Hall, Manchester review - two great pianists celebrate 50 years

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest pianists of their generation, who met at the Royal Northern College of Music, celebrated the 50th anniversary...

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroines

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair of shades. But the super-heroine pianist, who played Rachmaninov’s First Piano Concerto, turned out to...

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Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall review - running the gamut

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first half by rising to the challenge of Beethoven’s “Hammerklavier” - a title he suggests, in his series of...

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Classical CDs: Soft toys, starlings and tarantellas

 Passage Secret – music by Bizet, Debussy, Fauré, Ravel, Aubert Ludmila Berlinskaya and Arthur Ancelle (piano duet) (Alpha Classics)There are many reasons to acquire this disc of French piano duets, one being the inclusion of the Feuille d’...

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Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised Art of Fugue will have to wait. Korean pianist Seong-Jin Cho, a past winner of the Chopin Prize,...

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Frang, LSO, Pappano, Barbican review - a concerto performance to treasure

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back in time. Wednesday’s season opener gave us a MacMillan premiere “haunted by earlier musical spirits and...

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LSO, Pappano, Barbican review - singular adventures for a new era

Somehow those of us required to translate the musical experience into words look for the moments which defeat us. One such was the extraordinary sound of muted first violins and cellos at the start of the second movement in Sibelius’s First Symphony...

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First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition

This year, I am delighted to be supporting the Alexandra Dariescu Award at the Leeds International Piano Competition for an outstanding performance of a work by a female composer. This marks a significant milestone in the 60-year history of The...

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Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with love

The Proms’ Indian summer of big visiting orchestras is over – and what a parade it’s been – but renewal hit on the last Saturday before the Last Night with a rainbow of choral concerts, from the 26 voices of The Sixteen (yes, counter-intuitive, I...

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Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentum

Mahler’s Sixth is one of those apocalyptic megaliths that shouldn’t be approached too often by audiences or conductors. It’s been a constant in Simon Rattle’s treasury since 1989, when he first recorded it with his City of Birmingham Symphony...

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