fri 08/08/2025

Classical music

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester, review - concertos as opera

Manchester Camerata’s series of in-concert recordings featuring Mozart piano concertos with Jean-Efflam Bavouzet is well under way now, and this programme, like others before it, included a couple of his opera overtures too. Why so? "Because all...

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Classical CDs Weekly: Eleanor Alberga, Parry, Blondel

 Eleanor Alberga: String Quartets 1, 2 & 3 Ensemble Arcadiana (Navona Records)Eleanor Alberga’s String Quartet No 2 popped up on my iPod’s shuffle setting whilst driving few months ago, provoking me to pull over and spend the next 13...

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Ólafsson, Hallé, Mäkelä, Bridgewater Hall, Manchester review - exciting new faces

The Hallé Orchestra has a good track record when it comes to bringing in young talents with exciting prospects, and its 2019-20 season begins with the newly appointed Finnish chief conductor designate of the Oslo Philharmonic, Klaus Mäkelä, on the...

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Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-Koenig, Symphony Hall, Birmingham review - cross-country friendships flourish

Celebrating the friendship between the two great 20th-century composers, the Britten-Shostakovich Festival Orchestra launched this year. Founded by British conductor Jan Latham-Koenig and British Ambassador to the Russian Federation Sir Laurie...

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Beethoven Festival Weekend, Wigmore Hall review 1 - sparkle and charisma versus creative overkill

While the Proms were ringing out the old season, the Wigmore Hall ushered in the big celebration of 2020: the 250th anniversary of Ludwig van Beethoven’s birth. The venue’s year-long festival (actually longer – the actual birthday is December ‘20)...

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Beethoven Festival Weekend, Wigmore Hall review 2 - total mastery in tone and depth

Any festival would be proud and honoured to end with the great Elisabeth Leonskaja playing the last three Beethoven piano sonatas. Here the Everest was swiftly scaled as the tenth concert of a packed Wigmore Hall weekend. How I wish I could have...

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LSO, Rattle, Barbican Hall review – visions of the beyond

Simon Rattle has a knack for unearthing large-scale orchestral works that pack a punch. Olivier Messiaen’s Éclairs sur l’Au-Delà … (Illuminations of the Beyond …) was completed in 1991, a year before the composer’s death, and is both a reflection on...

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Last Night of the Proms, Barton, BBCSO, Oramo review – woke not broke

The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. In the second half,...

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Classical CDs Weekly: Haydn, Korngold, Philippe Manoury

 Haydn, arr. Stegmann: Symphonies 44, 75 and 92 Ivan Ilić (Chandos)The easiest way for amateur music lovers to get to know orchestral pieces used to be through piano transcriptions and chamber arrangements. Liszt’s versions of Beethoven...

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Prom 72/3: Aurora Orchestra, Collon review – Berlioz not quite lost in showbiz

For a few seconds last night, the Royal Albert Hall turned into London’s biggest – and cheesiest – disco. At the end of the Ball movement in the Aurora Orchestra’s dramatised version of the Symphonie Fantastique, Berlioz’s tipsily lurching waltz...

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Prom 71: Dunedin Consort, Butt review – Bach to the drawing-board please

Blame it on the box set. The four Bach Orchestral Suites fit neatly together as a recording project. They used to fill out the four sides of a double LP back in the early stages of the baroque revival. Completists and collectors could rejoice then,...

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Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passions

Semyon Bychkov was a surprising choice to take over the Czech Philharmonic last year, a conductor with few obvious connections to Czech music. But on the strength of this visit to the Proms, they make a good team. Bychkov communicates fluently with...

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