thu 07/08/2025

Classical music

Requiem for Hieronymus Bosch, BBCSO, Bychkov, Barbican review – fire and brimstone on a flat canvas

“Hieronymus!” bellowed David Wilson Johnson from the Barbican Hall’s circle on Saturday evening. “Hieronymus Bosch!” Commissioned by Dutch radio for a big piece to mark 500 years since the passing of the Dutch painter in 1516, the German composer...

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theartsdesk Q&A: Conductor Semyon Bychkov in Prague

It's a very big deal for musical Prague: Czechia's symphonic epic, the six tone poems that make up Smetana's Má vlast (My Homeland), launches every Prague Spring Festival at the Smetana Hall, but in the Czech Philharmonic's opulent home, the...

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Choirs of St Catharine's College, Cambridge, Wickham, Kings Place review - fresh take on 'lessons and carols'

At this time of year the musical world – and particularly the choral world – is full of festive concerts, and the challenge can be to find programmes venturing off the well-worn path of traditional favourites. But at Kings Place on Saturday I found...

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Classical CDs Weekly: Josquin, Tchaikovsky, Janet Sung

 Josquin: Missa Mater Patris, Bauldeweyn: Missa Da pacem The Tallis Scholars/Peter Philips (Gimmell)Josquin's Missa Mater Patris is a late work, the composer's florid style pared down and clarified to the extent that some commentators suggested...

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Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstraction

Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else...

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Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!

Benjamin Britten died on 4 December 1976. Last night’s Wigmore Hall concert, on the 43rd anniversary of his passing, proved that his real legacy lies not in inert acts of homage but a living engagement both with his work, and the unruly energies...

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Remembering Mariss Jansons (1943-2019)

He was indeed "one of the greats" among conductors, as theartsdesk's Gavin Dixon put it in reviewing Mariss Jansons' January visit to the Barbican, and remains so by virtue of his recordings. Affable and natural in person, though not hugely...

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Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonorities

Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased. So it was amazing to witness what seemed like sonic...

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Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and geniality

There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second...

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Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”. The Prom had a space theme, to mark the 50th anniversary of the Apollo 11 moon landing, and...

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Classical CDs Weekly: Coates, Dvořák, Martinů, Peñalosa

 Eric Coates: Orchestral Works, Vol. 1 BBC Philharmonic/John Wilson (Chandos)One reason to love Eric Coates and his music is discovering that his compositional routine involved waiting “until he was properly dressed in the morning, complete...

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Behzod Abduraimov, Queen Elizabeth Hall review - enchanting engagement and breathtaking virtuosity

Given the number of audience members playing air-piano along with parts of Pictures at an Exhibition, Behzod Abduraimov should perhaps be described as a pianist’s pianist. He is nevertheless a great deal more than that. Ten years ago this young...

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