tue 05/08/2025

Classical music

Classical CDs Weekly: Eller, Musorgsky, Rachmaninov

 Heino Eller: Symphonic Poems – Night Calls, White Night, Twilight, Dawn Estonian National Symphony Orchestra/Olari Elts (Ondine)Heino Eller was described as the ‘Estonian Sibelius’ in the first decades of the last century. Predictably, the...

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Garvey, Quatuor Zaïde, Classical Vauxhall review - vibrant chamber music for all

Three concerts, three fascinating venues, seven world-class young(ish) players, an audience of all ages and a musical storytelling event for 200 schoolchildren: this is how to launch a festival with outwardly modest means. Artistic Director of...

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Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled power

Visiting conductor Mark Wigglesworth is a good match for the Royal Philharmonic. The orchestra’s repertoire is usually at the popular end of the spectrum, so they know how to make the most of a good tune. Wigglesworth gives the players the space to...

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Beethoven Weekender, Barbican review - genius at work and play

Where to begin with the most appropriated musician in history? The Barbican’s Beethoven 250 celebrations got off to an auspicious start with a weekend of events, styled like a pop festival, which nonetheless put the composer back where he belonged...

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Lu, Orchestre National de Lille, Bloch, Leeds Town Hall - polish and precision in Ravel and Debussy

French orchestras haven’t sounded distinctively Gallic for decades; François-Xavier Roth’s brilliant period band Les Siécles does use idiosyncratic French instruments but their polish and sheen is very modern. Still, close your eyes while Alexandre...

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Classical CDs Weekly: William Mathias, Vaughan Williams, Judith Weir

 William Mathias: Choral Music St John’s Voices, The Gentlemen of St John’s, Graham Walker (director) (Naxos)I've a soft spot for neglected instruments, so any CD which includes a credit for chime bars is all right with me. Here they're...

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Young people's guides to the orchestra: the making of 'Not Now, Bernard & Other Stories'

"Let’s make an album” is an easy thing to say but an infinitely more difficult thing to actually make happen. But at some point in early 2016 conductor Tom Hammond said it to me (or I said it to him, we can’t remember which) and four years later Not...

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Denis Kozhukhin, QEH review - lyric mastery and subtle elegance

In Beethoven anniversary year, there will probably be many more "Moonlight"s, meaning the Sonata, than the real thing (though we've been lucky to see the crescent in close conjunction with Venus these past two nights). Not many pianists would dare...

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Oriole Ensemble, Conway Hall review - sublimely peculiar chamber music

When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I reviewed chamber music at Conway Hall I looked forward to my next visit. So a Conway Hall programme...

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Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye view

"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics:...

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Cargill, BBCSO, Saraste, Barbican review - less is more in Shostakovich

Jukka-Pekka Saraste doesn’t visit London much these days. He was Principal Guest Conductor of the BBC Symphony Orchestra, and there were rumours that he was in line for the top job. That didn’t happen, and his career soon took him elsewhere – which...

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Classical CDs Weekly: Ginastera, Messiaen, Saint-Saëns

 Ginastera: Harp Concerto, Variaciones concertantes Sidsel Walstad (harp), Norwegian Radio Orchestra/Miguel Harth-Bedoya (Lawo Classics)Alberto Ginastera divided his compositional career into three, later two, distinct periods, charting a move...

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