mon 07/07/2025

Classical music

Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light

Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in execution, the richest in sound. Others may have wanted a faster, lighter Rite. But the two things that make every...

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Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came the pedestrianisation of the section of the Strand outside Somerset House, transforming the area from somewhere...

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Classical CDs: Mandolins, multiphonics and multiple pianos

 Brahms: Piano Sonata No. 1, Schubert: Wanderer Fantasy Alexandre Kantorow (piano) (BIS)I’d previously encountered pianist Alexandre Kantorow via his exuberant set of Saint-Saëns piano concertos, sparky, lovable performances conducted by his...

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Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzles

Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping jacket and cool appearance – quite a contrast with the full evening dress worn by the orchestra members...

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Fauré Centenary Concert 5, Wigmore Hall review - a final flight

As Steven Isserlis announced just before the final work, in more senses than one, of a five-day revelation, the 79 year old Fauré’s last letter told his wife that “at the moment I am well, very well, despite the little bout of fatigue which is...

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Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in Brahms

The BBC Philharmonic were right to bill Garrick Ohlsson, soloist in Brahms’ Piano Concerto No. 1, as the main attraction in Saturday’s concert.The septuagenarian American is a force of nature and an exceptional artist: his playing of Rachmaninov in...

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Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soar

Earlier this year, Steven Isserlis curated a revelatory Sheffield Chamber Music Festival spotlighting Saint-Saëns, with plentiful Fauré towards the end. Now it’s the younger composer’s turn, marking his death 100 years ago on 4 November 1924, but...

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'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of Fauré

"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness... I wish my music could show as much diversity." Gabriel Fauré, who wrote those words and is indisputably...

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Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle

Last time I saw the lovelorn Cyclops from Handel’s richly turbulent cantata, Aci, Galatea e Polifemo, he was in a warehouse at Trinity Buoy Wharf earlier this year, posturing moodily as an Italian film director. The London Handel Festival’s...

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Hallé, Wong, Bridgewater Hall, Manchester review - Bruckner’s Ninth completed

Kahchun Wong’s third Bridgewater Hall concert with the Hallé in his inaugural season as principal conductor consisted of just one work: Bruckner’s Symphony no. 9 – but not in the incomplete three-movement version that until quite recently has been...

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The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

What’s it like to be in the middle of an orchestra, hugger-mugger with the violas, looking directly over the flautist’s shoulder? Last night’s immersive concert by Sinfonia Smith Square gave the us the chance to find out, the players spread around...

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Classical CDs: Leaves, prisms and sub-bass

 Schubert: Sonata in G major D. 894, Moments Musicaux D. 780, Fantasy in F minor D. 940 Maurizio Pollini, Daniele Pollini (pianos) (Deutsche Grammophon)What a superb cover image for the last recording by Maurizio Pollini (1942-2024). Pollini ‘...

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