New music
Album: Matt Berry - SimplicitySaturday, 18 November 2023
I usually find it useful to listen to the music before I tackle the often bile-inducing press release that generally taints each launch. Admittedly, it's a hard job to sell music without veering into hyperbole and very few achieve it. Why am I... Read more... |
Les Égarés, London Jazz Festival, Cadogan Hall review - a wondrous musical conversationFriday, 17 November 2023
Combine four super-talents, masters of their instrument, and you might well expect a battle of egos or a clash of modi operandi. Not least, as in the case of Les Égarés, a quartet made up from two seasoned duos – the virtuoso jazzers Vincent... Read more... |
Album: Rockstar - Dolly PartonFriday, 17 November 2023
When Dolly Parton was nominated for induction into the Rock & Roll Hall of Fame, she requested that her name be withdrawn.She was "flattered and grateful" for the honour but "I don't feel I have earned that right," she wrote. "It kind of would... Read more... |
Death Cult, O2 Institute, Birmingham review - The Cult revisit their post-punk rootsThursday, 16 November 2023
The Cult may have only really hit paydirt in the late Eighties when they started worshipping at the altar of the Rawk Gods of more than a decade before and welcomed Rick Rubin and Bob Rock to toughen up their sound on albums like Electric and Sonic... Read more... |
Le Guess Who? 2023, Utrecht - deep listening and deft dancingThursday, 16 November 2023
On a Friday morning under the Dom Tower, the tallest church spire in the Netherlands, our enthusiastic guide explains that we’re standing on 2000 years of history. Formed on the frontier of the Roman Empire, Utrecht originally bordered the river... Read more... |
Album: Lucidvox - That's What RemainedThursday, 16 November 2023
That's What Remained is the aural equivalent of being pulled into a maelstrom and then surrendering to this powerful natural force. Initially, it does not seem safe. But it soon becomes apparent that submission isn’t a problem. It will be fine.... Read more... |
Ben Folds, Royal Albert Hall review - piano pyrotechnics and modern musingsWednesday, 15 November 2023
When Ben Folds emerged in the mid-90s he was like Billy Joel’s snot-nosed little brother: another virtuoso pianist and songwriter but one whose style was sarcastic, subversive and a little bit punky.He has now mellowed into something of an elder... Read more... |
Album: Madness - Theatre of the Absurd presents C'Est la VieWednesday, 15 November 2023
Madness are an English institution due to deathless, jolly hits such as “House of Fun”, “Baggy Trousers” and “One Step Beyond”, but there’s always been another side to them.The London band are often at their best when bittersweet. Lesser-known songs... Read more... |
Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianistTuesday, 14 November 2023
To watch virtuoso jazz pianist Hiromi perform is to experience a vast weather system of sound; at some moments exuberant hailstorms of notes alternate with thunderous chords, at others, sombre atonal passages resolve into a burst of sunshine.By any... Read more... |
theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and moreTuesday, 14 November 2023
VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet)Being Dead are ostensibly an indie trio from Austin, Texas, but that description doesn’t really do justice to their smörgåsbord sound. Their default setting seems to be Trashmen “Surfin’... Read more... |
DVD/Blu-ray: 23 Seconds to EternityTuesday, 14 November 2023
The KLF are endlessly fascinating. There’s never been a “pop group” like them. From the late Eighties into the early Nineties, they treated music, especially electronic dance music, as a laboratory for lunatic experiment. Unlike most avant-garde... Read more... |
Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean musicMonday, 13 November 2023
Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond... Read more... |
