mon 01/09/2025

Theatre

Death of a Salesman, Piccadilly Theatre review - galvanising reinvention of Arthur Miller's classic

It is 70 years since Willy Loman first paced a Broadway stage; 70 years since audiences were sucked into the vortex of a man trying to live America’s capitalist dream only to see his life crash and burn around him. This production, which transfers...

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God's Dice, Soho Theatre review - overlong and overblown

David Baddiel is a very fine comic, and over the past few years has become an acclaimed author of children's books. So I'm genuinely sad to say that his debut play at Soho Theatre really isn't very good. God's Dice does have its moments, for sure,...

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A Prayer for Wings, King's Head Theatre review - claustrophobic mother-daughter drama soars

When Sean Mathias wrote A Prayer for Wings 35 years ago, the subject of young carers devoting their lives to parents with disabilities had just come as a revelation. That it's still very much a shame under another Tory government keeps this play...

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Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyond

London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016. It’s a superb piece for demonstrating the benefits of...

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As You Like It, Barbican review – uneven comedy lacks bite

Even the most ardent Bardophile has to admit that most of the time the Fool doesn’t shine in a Shakespeare production. Lamentable wordplay combined with philosophy limper than a dead capon means that with a few honourable exceptions, his interludes...

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On Bear Ridge, Royal Court review - Rhys Ifans's tragicomic masterclass

Memory involves places, people, things and words, especially words. This abstract proposition is given knotty life in Welsh playwright Ed Thomas's extraordinary new play, On Bear Ridge, which comes to the Royal Court after opening at the Sherman...

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First Person: Simon Stephens - the contemplation of kindness

Light Falls is the sixth play that I have written for the Royal Exchange theatre in Manchester and the fourth that its outgoing Artistic Director, Sarah Frankcom, will direct.She directed On the Shore of the Wide World, Punk Rock and Blindsided. In...

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Botticelli in the Fire, Hampstead Theatre review - history mash-up burns bright

Botticelli is a household name, but who knows the true story behind his most famous painting? The painter's 1480s masterpiece, The Birth of Venus, is one of the most striking images of Renaissance Florence – and has achieved iconic status. Because...

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Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Time has been not just kind but even crucial to Little Baby Jesus, the 2011 play from the multi-hyphenate talent Arinzé Kene, who since then has gone on become a major name on and offstage: the West End transfer of his self-penned...

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Vassa, Almeida Theatre review - delayed opening doesn't land

Even the mighty Almeida is allowed the occasional dud and it’s sure as hell got one at the moment with Vassa. Maxim Gorky’s 1910 play (rewritten in 1935) about a matriarch in extremis some years back proved a stonking West End star vehicle...

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Lungs, Old Vic review - deluxe casting and slick delivery

Playing our monarch and her husband in The Crown has made actors Claire Foy and Matt Smith into TV drama royalty, so reuniting the pair onstage guarantees a hot ticket. What’s less clear is why Lungs, Duncan Macmillan’s rather thin 2011 play, merits...

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First Person: Hannah Khalil on museum as metaphor in her new play for the RSC

It all started in 2009 in the National Portrait Gallery. I’d had a meeting nearby so popped in to get a cuppa and stare at the beautiful rooftop view of London from their top-floor café, but a picture caught my eye. It was part of an exhibition of...

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