Theatre
Fairview, Young Vic review - questioning the assumptions of raceMonday, 09 December 2019
Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation for putting audiences on their mettle through a build-up of theatrical surprises that culminate in a denouement about... Read more... |
Ravens: Spassky vs. Fischer, Hampstead Theatre review - it's game over for this chess playFriday, 06 December 2019
We’ve had Chess the musical; now, here’s Chess the play. Tom Morton-Smith, who has experience wrestling recent history into dramatic form with the acclaimed Oppenheimer, turns his attention to the 1972 World Chess Championship in Reykjavík, in which... Read more... |
A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merrimentThursday, 05 December 2019
"Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. The story of Scrooge encompasses both as the old curmudgeon learns to mend his miserly ways and open his heart to... Read more... |
The Boy Friend, Menier Chocolate Factory review - fun but featherweightWednesday, 04 December 2019
There’s slight (White Christmas, to name but one) and then there’s The Boy Friend, a period musical so unabashedly vaporous that if you sneeze, it might blow away. All credit then to the Menier Chocolate Factory for anchoring Sandy Wilson’s... Read more... |
Midnight Movie, Royal Court review - sleepless and digitalWednesday, 04 December 2019
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of the public will know her, and her actor husband Tom Penn, as the neighbours who recorded an altercation between Boris Johnson and... Read more... |
The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscoverySaturday, 30 November 2019
This is the third Emlyn Williams piece to be presented here in a decade: The Druid's Rest in 2009 was followed by the enormous success of Accolade, directed by Blanche McIntyre, two years later.If it's a truism that neglected plays may well have... Read more... |
The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?Friday, 29 November 2019
Of all the groups you probably wouldn’t want to be part of, surely the hyper-adrenalised, hardscrabble populace of The Wolf of Wall Street, the Jordan Belfort memoir made into an amphetamine rush of a film by Martin Scorsese, must rank near the... Read more... |
White Christmas, Dominion Theatre review - breezy but blandThursday, 28 November 2019
Nostalgia for things that probably never were is an animating theme in politics these days. Much the same feeling displaced to the realm of showbiz, lends a vaguely dampening air to White Christmas, this latest stage retread of the 1954 Bing... Read more... |
My Brilliant Friend, National Theatre review - sleek spectacle almost eats its charactersWednesday, 27 November 2019
It took no time for Elena Ferrante's two Neapolitan friends to join the ranks of great literary creations: Lenù as successful writer-narrator, critical of her past ambivalence; Lila the unknowable fascinator, her brilliance often diverted into... Read more... |
The Arrival, Bush Theatre review - boys will definitely be boysWednesday, 27 November 2019
Family dramas are a staple of British new writing, but as well as talking about our nearest and dearest, can they also say something about the wider society? The Arrival, by director turned playwright Bijan Sheibani, who won an Olivier award for... Read more... |
The Lion, The Witch and The Wardrobe, Bridge Theatre review – spellbinding narrative of parallel worldsTuesday, 26 November 2019
We all remember that moment when we walked through the back of the wardrobe: the heaviness of the fur coats, that first crunch of the snow underfoot. It’s an extraordinary moment of childhood that has also become too normal because shared memory has... Read more... |
Henry VI, Sam Wanamaker Playhouse review - a lively vortexFriday, 22 November 2019
No Joan of Arc means no Henry VI Part One. France, where we left the victorious Henry V - the superb Sarah Amankwah, a shining light of this company - in the Globe's summer history plays, only figures briefly in the last act of a candelelit,... Read more... |
