Theatre
Blithe Spirit, Duke of York's Theatre review - Jennifer Saunders in serious comedyWednesday, 11 March 2020
Jennifer Saunders is a one-woman tickle machine. As her countless appearances in television shows such as French and Saunders and Ab Fab prove, this triple BAFTA winner is box office magic. The mere incantation of her name is enough to sell out any... Read more... |
Mrs Puntila and Her Man Matti, Royal Lyceum Theatre, Edinburgh review - a drink-sodden slogWednesday, 11 March 2020
If there’s one certainty about the Edinburgh Lyceum’s production of Mrs Puntila And Her Man Matti – and there aren't many in this unsatisfying, overlong revival – it’s that Elaine C Smith makes a terrific drunkard. The Scottish sitcom star,... Read more... |
Shoe Lady, Royal Court review - Katherine Parkinson is a footsore BeckettianTuesday, 10 March 2020
On my way to see this show, I see an urban fox. Before I can take a photo, it scrambles away. And I'm sure that, as it goes, it winks at me. This weird moment is a great prologue to EV Crowe's new play, virtually a monologue starring Katherine... Read more... |
Not Quite Jerusalem, Finborough Theatre review - theatrical hit from 1980 now feels flat and staleMonday, 09 March 2020
It may seem strange to watch a play about four English people on a kibbutz in the Seventies, and find yourself thinking about Brexit, but that’s precisely what springs to mind here. Culturally blinkered and politically ignorant, most of the... Read more... |
The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classicThursday, 05 March 2020
There’s concept on top of concept in this revival of Jason Robert Brown’s beloved 2001 musical, which charts the ebb and flow of a relationship by juggling timelines: aspiring actress Cathy’s story is told in reverse chronological order, while... Read more... |
The Revenger's Tragedy, Piccolo Teatro di Milano/Cheek by Jowl, Barbican review - fun, but not enoughThursday, 05 March 2020
Vendetta, morte: what a lark to find those tools of 19th century Italian opera taken back to their mother tongue in a Milanese take on Jacobean so-called tragedy, where the overriding obsession is on mortalità. It would take a composer of savage wit... Read more... |
The Special Relationship, Soho Theatre review - informative, but uninspiringWednesday, 04 March 2020
Since 2000, Esther Baker's Synergy Theatre Project has worked with prisoners, ex-offenders and young people at risk of offending to produce powerful dramas about some of the most fraught social situations you can imagine. The latest show, written by... Read more... |
Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actuallyTuesday, 03 March 2020
It’s not so much that Pretty Woman: The Musical isn’t much good, which it isn’t. More to the point is that this West End replica of the recent Broadway musical of the 1990 film feels utterly superfluous: a gloss on a popular romcom that... Read more... |
United Queendom, Kensington Palace review - rollicking royal taleTuesday, 03 March 2020
Les Enfants Terribles is the theatre company behind several interesting immersive projects, including Alice's Adventures Underground and Inside Pussy Riot. Now it has joined forces with Historic Royal Palaces to tell the story of two women integral... Read more... |
Sinners, Playground Theatre review - intimacy but also fearSaturday, 29 February 2020
Layla is trapped in a pit of sand up to her shoulders, with a shroud over her head and piles of rocks surrounding her. On steps Nur, who has been tasked with arranging the rocks. The two were engaged in an adulterous affair, and he must begin the... Read more... |
Women Beware Women, Shakespeare's Globe, review – wittily toxic upgrade of a Jacobean tragedyFriday, 28 February 2020
This raunchy, gleefully cynical production takes one of Thomas Middleton’s most famous tragedies and turns it into a Netflix-worthy dark comedy. Where the themes of incest, betrayal, cougar-action and multiple murder would be spun out over several... Read more... |
First Person: Hassan Abdulrazzak on the real-life drama behind American deportation to the UKWednesday, 26 February 2020
You are at a party having a good time when someone gives you a glass of champagne. You take one and then another and soon the party is over. You get in the car to go home and are driving along when you see a police car in the rearview mirror: how... Read more... |
