Theatre
A Christmas Carol, Bridge Theatre review - deluxe seasonal storytellingWednesday, 09 December 2020
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be enjoyed, usually led by the Old Vic in London, but this winter it feels like there’s an epidemic of adaptations. Whether this reflects an attempt to... Read more... |
GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' rollTuesday, 08 December 2020
A 35-year-old gay man has to figure out which way to turn in GHBoy, the Paul Harvard play whose connection to the chemsex world is embedded in its title. Will Robert (Jimmy Essex) settle into a relationship with Catalan university student Sergi (... Read more... |
The Flying Lovers of Vitebsk, Bristol Old Vic/Kneehigh/Wise Children online review – ravishing vision of Chagall's early lifeSaturday, 05 December 2020
One of Marc Chagall’s last commissions was for a stained-glass window in Chichester Cathedral, which channelled his characteristically exuberant spirituality into a response to the verse from Psalm 150, “Let everything that has breath praise the... Read more... |
What a Carve Up!, Barn Theatre online review – ingenious whodunnitMonday, 30 November 2020
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator. Postmodern murder mysteries play games with the genre, turning it upside down and inside out. This film adaptation of What a Carve Up!, Jonathan Coe’s 1994... Read more... |
15 Heroines, Jermyn Street Theatre online review - putting the women back into Greek mythWednesday, 11 November 2020
Women have an awful time of it in the Greek myths. Raped, abandoned, blamed for murdering people, blamed for not murdering people – you name it, it’s happened to an Ancient Greek woman, and they didn’t even get to talk about it themselves. Ovid... Read more... |
Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequelThursday, 05 November 2020
Broadway tends to be the Darwinian environment where a show's opening night can also mark its closing. But such has been the Covid-prompted fate of the National Theatre's fiery return to the fray that Death of England: Delroy managed 11... Read more... |
Little Wars, Union Theatre online review - richly emotional, but formulaicTuesday, 03 November 2020
Feuds make good theatre. I mean, look at the furious 1970s spat between playwright Lillian Hellman and critic Mary McCarthy. Yikes. So far, I’ve counted three recent stage versions: in 2002 there was Nora Ephron’s Imaginary Friends, followed in 2014... Read more... |
Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo seasonMonday, 26 October 2020
Call him Ishmael, and the Zimbabwe-born, UK-based writer Zodwa Nyoni has done just that. That's the name of the solo character in Nyoni's slight but undeniably affecting 50-minute solo play Nine Lives, which caps a season of monologues at the Bridge... Read more... |
The Great Gatsby, Immersive London review – a warm and electric tribute to the bookFriday, 23 October 2020
The Prohibition-era setting of The Great Gatsby brings an appropriately illicit feel to this bold decision to stage an immersive theatre event in the age of Covid. Where, in 1922, champagne was the essential liquid to get any evening going... Read more... |
Quarter Life Crisis, Bridge Theatre review – slender and superficialMonday, 12 October 2020
Success smells sweet. The Bridge Theatre’s pioneering season of one-person plays continues with sell-out performances of David Hare’s Beat the Devil and Fuel’s production of Inua Ellams’s An Evening with an Immigrant, with both having their runs... Read more... |
Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmithWednesday, 07 October 2020
"The older he got, the less he cared about self-concealment," or so it is said of Sir Tom Stoppard, somewhere deep into the 865 pages of Tom Stoppard: A Life, Hermione Lee's capacious (to put it mildly) biography of the... Read more... |
Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedySunday, 04 October 2020
Stillness works like a stealth bomb in Nights in the Garden of Spain, in which Tamsin Greig further confirms her status as one of this country's finest actresses. Kicking off the final pairing in an indispensable series of Alan Bennett double bills... Read more... |
