Theatre
The Invisible Hand, Kiln Theatre review - balanced on a knife edgeThursday, 08 July 2021
A lot’s changed since Kiln Theatre boss Indhu Rubasingham directed The Invisible Hand’s first UK outing in 2016, not least the theatre’s name (it was known as the Tricycle back then). But in Rubasingham’s capable hands, American Ayad Akhtar’s taut... Read more... |
Pippin, Charing Cross Theatre review - happy-clappy vibeWednesday, 07 July 2021
If Time Magazine’s Man of the Year in 1966 was anyone under the age of 25, why couldn’t a teenage student write a musical in 1967? There are plenty of answers to that question of course, none of which stopped the composer Stephen Schwartz, who... Read more... |
Wonderful Town, Quick Fantastic, Opera Holland Park review - everybody's swinging itMonday, 05 July 2021
It’s a wonderful thing to hear a nine-piece Broadway-style band at full pelt, and to see real show dancing – the first time for me, in both cases, since early 2020. Wonderful, too, is this sassiest of 1950s musicals, for which those great lyricists... Read more... |
Constellations, Vaudeville Theatre review - a starry revivalFriday, 02 July 2021
A cosmologist and a beekeeper walk into a barbecue. Or a wedding. The beekeeper is in a relationship, or married, or just out of a relationship, or married again. The cosmologist shares the secret of the universe with him: it’s impossible to lick... Read more... |
Bach & Sons, Bridge Theatre review - humorous and deeply intelligentWednesday, 30 June 2021
In John Eliot Gardiner’s magnificent wide-ranging biography of Bach, Music In The Castle of Heaven, he tells the story of the composer’s early run-in with a bassoonist with his typical zest for detail. “[H]e called him a Zippel Fagottist. Even... Read more... |
J'Ouvert, Harold Pinter Theatre review - formless yet fabulousTuesday, 29 June 2021
A welcome West End upgrade is the order of the day at J'Ouvert, the debut play from Yasmin Joseph whose 2019 premiere at South London's Theatre 503 additionally marked the directing debut of the actress Rebekah Murrell. And now here it is, all but... Read more... |
Out West, Lyric Hammersmith review – not quite a hat trickMonday, 28 June 2021
It is an index of the ambition of some venues that they are not only reopening their doors, but also staging plays that remind us of the talents of our best writers and actors. Although the stage monologue has recently been almost as infectious as... Read more... |
Under Milk Wood, National Theatre review - Michael Sheen at his most magneticThursday, 24 June 2021
There's commanding, and then there's Michael Sheen, who sweeps on to the Olivier stage 15 minutes or so into the new National Theatre revival of Under Milk Wood and scoops up the entire production with it. Inheriting a role made to order for this... Read more... |
Raya, Hampstead Downstairs review - a richly fraught reunionWednesday, 23 June 2021
Thirty years on, Alex and Jason meet at a university reunion and cab it back to Jason’s old student house where Alex is thinking “probably…” and Jason is thinking “probably not…” - each, it turns out, with good reason. We look on as the clumsy... Read more... |
Happy Days, Riverside Studios review - memory, madness and melancholyFriday, 18 June 2021
Just when you thought you couldn’t take any more one- or two-handers, online or in the theatre, along comes the supreme masterpiece to jolt you out of any fatigue. Every line counts as Winnie, buried up to her waist and then up to her neck,... Read more... |
After Life, National Theatre review - thanks for the memoriesMonday, 14 June 2021
Limbo, in Jack Thorne’s latest play, is a room lined ceiling-high with drawers, a sort of morgue rebooted as a vast filing system. It apparently provides comfy accommodation for the souls waiting to pass over, and its activities are run in tight... Read more... |
Extract: David Lan's As If By ChanceMonday, 14 June 2021
In June 2001 the London Festival of International Theatre brought Amir Nizar Zuabi’s Alive from Palestine to the Royal Court Theatre for one performance. The Guardian said, “How often do you see a piece of necessary theatre? These 'stories under... Read more... |
