Theatre
When We Dead Awaken, The Norwegian Ibsen Company, Coronet Theatre review - living death, dying lifeWednesday, 02 March 2022
In Ibsen's last and shortest play, further cut here, four people nominally climb a mountain, but actually seem to be crossing waste land towards the land of Samuel Beckett. It’s an amazing play in which reality is symbolic and symbols are real,... Read more... |
Red Pitch, Bush Theatre review - effortlessly and energetically entertainingWednesday, 02 March 2022
Football stories are never just about a game — they are also about life and how to live it. In Tyrell Williams’s Red Pitch, his debut play now getting an enthusiastically staging at the Bush Theatre after a shorter version wowed audiences at the... Read more... |
Steve, Seven Dials Playhouse review - everything’s charming, except the scriptTuesday, 01 March 2022
Steven (David Ames) is having a birthday party. He’s invited his closest friends – two of whom have recently started dating their personal trainer, Steve – and his partner, of course: Stephen (Joe Aaron Reid). Their eight-year-old son, Stevie, is... Read more... |
Uncanny Valley, BAC review – fascinating robotic lecture on aspects of the selfMonday, 28 February 2022
It’s the vulnerability of the robot that strikes you in this subtle, intelligent production from the German theatre group Rimini Protokoll. From the Maschinenmensch in Fritz Lang’s Metropolis to Roy Batty in Blade Runner, there’s no shortage of... Read more... |
The Collaboration, Young Vic Theatre review - artistic giants, wigs, warts and allFriday, 25 February 2022
At first glance, it was the most unlikely of friendships, even for the solipsistic milieu of the New York art scene. Andy Warhol: crown prince of Pop art, uber-celebrity, one of the most iconic figures in the world; and Jean-Michel Basquiat, the... Read more... |
First Person: Tim Walker on crossing over from critic to playwrightThursday, 24 February 2022
The divide between theatre critics and the theatrical profession has always been a chasm, but occasionally a wire has been thrown between the two and plucky or foolhardy individuals have attempted to traverse it. A three-times-unsuccessful applicant... Read more... |
Two Billion Beats, Orange Tree Theatre review - bursting with heartThursday, 24 February 2022
“You could read at home,” says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly pressed, hair neatly styled. “You could be an annoying little shit at home,” retorts her sister Asha (Safiyya Ingar), Year 13, all fire and fury in Doc... Read more... |
Never Not Once, Park Theatre review - disappointing UK debut for a feminist award-winnerMonday, 21 February 2022
Carey Crim’s 2017 play arrives from the US at north London's Park Theatre trailing a feminist playwriting award for its dissection of what happens when a smart college senior raised by two women starts to question her parentage. Eleanor wants to... Read more... |
Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its rootsThursday, 17 February 2022
Wind the clock back 45 years and the Big Apple was bankrupt, the lights had gone out and many native New Yorkers were packing their bags. Gangs controlled whole neighbourhoods, drugs were the currency of choice and, for a kid with no college,... Read more... |
Broken Wings, Charing Cross Theatre review - new musical fails to flyWednesday, 16 February 2022
Somewhere in the world right now, one can hear Mister Mister's AOR hit, "Broken Wings" on an MOR radio station, capturing mid-Eighties synth pop perfectly. Few listeners will know that its inspiration is a 1912 autobiographical novel by Lebanese-... Read more... |
The Forest, Hampstead Theatre review - puzzling world premiere from Florian ZellerWednesday, 16 February 2022
If Florian Zeller isn’t a Wordle fan, I’d be very surprised. As with the hit online game, the French playwright likes to offer up a puzzle for the audience to solve, clue by clue, before the curtain falls. His latest play, The Forest, which had its... Read more... |
Queens of Sheba, Soho Theatre review – energy, entertainment and rageMonday, 14 February 2022
Black women often find themselves subject to a double dose of prejudice. Pressure. They face everyday racism as well as sexism. It’s called misogynoir, and Queens of Sheba is a short show dedicated to calling it out. In as joyous and energetic way... Read more... |
