tue 29/07/2025

Theatre

A Very Old Man with Enormous Wings, Brighton Festival 2023 review - Gabriel Garcia Marquez in a creative retelling

Brighton Festival has a knack for choosing children’s theatre that is in equal measure as magical and captivating as it is simple and easy to understand. It’s an equation that means both adults and children alike can be sure to have an experience...

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The Comedy of Errors, Shakespeare's Globe review - comedy and confusion

Shakespeare drew on Plautus’s Menaechmi for this early short comedy. Was it his competitive streak that made him up the ante with not one set of identical twins but two?Imagine that you have newly arrived in a place that you have never visited...

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Anna Karenina, Lyceum Theatre, Edinburgh review - nimble, sweary staging of Tolstoy's iconic novel

How do you cram a thousand-page novel, a cast of dozens and profound philosophical ponderings on love, fidelity, class and freedom into a two-and-a-half hour stage show? If you’re Lesley Hart – adapter of Tolstoy’s Anna Karenina at Edinburgh’s...

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A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funerals

The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths,...

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Brokeback Mountain, @sohoplace review - emotionally inert take on acclaimed tale of queer love

For a masterclass in expansive adaptation, one could do worse than turn to Ang Lee’s Oscar-winning Brokeback Mountain, based on American author Annie Proulx’s 1997 short story of the same title. Proulx’s restrained but searing tale of the queer...

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Biscuits for Breakfast, Hampstead Theatre review - hunger and an aching humanity

Food is the centrepiece of Gareth Farr’s chilling new play Biscuits for Breakfast. Meals are described so delicately that the rich steams of them cooking are almost scented. But though they are prepared, shared and savoured with fondness,...

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4000 Miles, Minerva Theatre, Chichester review - brilliant Atkins in a tender play

Of all the theatrical dames, Eileen Atkins is the one with the least predictable face. She doesn’t bring promises in advance of warm or cuddly, or acerbic or flirtatious. She plays her part like a superb poker player, indeed like someone who is also...

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The Circle, Orange Tree Theatre review - acerbic reflections on the price paid for love

Tom Littler opens his account as artistic director of the Orange Tree Theatre with one of the more radical choices one can make in 2023 – directing a 102 year-old play pretty much how it would have been done in 1921.It’s all very period (...

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Operation Mincemeat, Fortune Theatre review - high-octane musical comedy hits the big time

It’s back yet again, Operation Mincemeat, a gift of a story that goes on giving. It surfaced as the 1956 film The Man Who Never Was, based on a 1953 book by Ewen Montagu, one of the MI5 types who came up with the 1943 plan of that name. Its latest...

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Ghosts, Abbey Theatre, Dublin review - creating tension from desolation

Church and law are enemies of promise in Ibsen’s tragedy-without-catharis. You can see why this devastating attack on, among other things, the syphilitic sins of the fathers being visited on the hopeful young created a ruckus in the 1880s. It’s...

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Gravity & Other Myths: Out of Chaos, Brighton Festival 2023 review - eye-boggling acrobatics

With acrobatics at this level, they make it all look so easy, it’s possible for an audience to become complacent. By the time the show Out of Chaos, by the troupe Gravity & Other Myths, from Adelaide, Australia, has finished, the Brighton Dome...

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The Motive and the Cue, National Theatre review - theatrical titans face off

Plays about the theatre are many and varied, from Gypsy and Noises Off to the numerous Shakespeare works that absorb theatrical performance into their very fabric.Jack Thorne's The Motive the Cue immediately takes pole position amongst recent...

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