Theatre
Hamnet, Garrick Theatre review - conventional adaptation of the bestseller drains its poetry awayThursday, 19 October 2023
The RSC apparently has a hit on its hands with its West End transfer of Hamnet. Box office demand has already prompted an extension of the run by six weeks, until February 2024.The draw is presumably the bestselling 2020 novel by Maggie O’Farrell on... Read more... |
Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincingTuesday, 17 October 2023
An all-female production of Bram Stoker’s Dracula – well, kind of – that transplants the novel’s more local action to the northeast of Scotland, and finds a bloody new calling for one of its less ostentatious characters? Elgin-born writer Morna... Read more... |
Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertainsSaturday, 14 October 2023
I know, I was there. Well, not in Edinburgh in 1985, but in Liverpool in 1981, and the pull of London and the push from home, was just as strong for me back then as it is for Eck in John McKay’s comedy Dead Dad Dog. Back in London for the... Read more... |
Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional productionFriday, 13 October 2023
Jamie Lloyd has the gift that keeps on giving. Hot on the heels of recent productions on Broadway and at the National Theatre, the visionary director is back in the West End with a stupendous reimagining of Andrew Lloyd Webber’s modern classic... Read more... |
The Ocean at the End of the Lane, Nöel Coward Theatre review - magical Neil Gaiman adaptation returnsFriday, 13 October 2023
There were shrieks, gasps, and nervous laughter in the Nöel Coward Theatre during press night of a kind rarely heard in the theatre. The startled cries marked the triumphant return of Joel Horwood’s adaptation of Neil Gaiman’s magical novel, first... Read more... |
Blue Mist, Royal Court review - authentic, but not entirely convincingThursday, 12 October 2023
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British Black and Asian communities? Well, certainly not silent. In Mohamed-Zain Dada’s vigorous 90-minute debut play, Blue Mist, the pronouncements of the... Read more... |
The Changeling, Southwark Playhouse review - wild ride proves too bumpy to land all its pointsThursday, 12 October 2023
Writing about the upcoming 60th anniversary of the founding of the National Theatre in The Guardian recently, the usually reliable Michael Billington made a rare misstep. He called for the successor to Rufus Norris, the departing artistic director,... Read more... |
Death of England: Closing Time, National Theatre review - thrillingly and abundantly aliveTuesday, 10 October 2023
It’s closing time somewhere in the East End. Nah, not the pub, but at a small local shop. Inside, Denise is banging around with some big pans, while Carly is packing up the flowers. Their business is coming to an end and they are about to hand over... Read more... |
The Foreigners' Panto, BOLD Theatre review - no laughing matterTuesday, 10 October 2023
The starting point of this musical comedy – using a panto format to take a deep dive into the UK's immigration law – comes from such a good place that one feels a real heel for criticising it. But however much I wanted to like Shani Erez's ambitious... Read more... |
Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideasTuesday, 10 October 2023
The title of Peter Arnott’s new play – a co-production with the Pitlochry Festival Theatre, and now partway into a ten-day run at Edinburgh’s Lyceum Theatre – might conjure a painterly image of contented friends and family in an idyllic rural... Read more... |
Flowers for Mrs Harris, Riverside Studios review - lovely, low-key musical finds a London berthMonday, 09 October 2023
Although based on the 1958 Paul Gallico novel Mrs 'Arris Goes To Paris, this musical adaptation arrived much later. With a book by Rachel Wagstaff and music and lyrics by Richard Taylor, Flowers for Mrs Harris premiered in Sheffield in 2016,... Read more... |
Othello, Riverside Studios review - three Iagos pitch Shakespeare's villain into the 21st centuryMonday, 09 October 2023
Shakespeare gives Iago over 1000 lines to implant the jealous rage in Othello, so there’s plenty to of raw material to work with. The director Sinéad Rushe has had the idea to split these weaselly words between three actors, a device that seems so... Read more... |
