Theatre
Richard III review - Temple Church venue is the star of the showThursday, 31 August 2017
Temple Church gained worldwide fame when Dan Brown included a major plot point there in his mega-selling novel The Da Vinci Code in 2003, but it has been standing, minding its own business, since the late 12th century. Now it’s home for a short run... Read more... |
Late Company, Trafalgar Studios review - visceral production of Jordan Tannahill's lean, pained dramaTuesday, 29 August 2017
Canadian playwright Jordan Tannahill wrote Late Company when he was only 23. It would be an impressive achievement at any age, but it seems all the more remarkable that so stark a dissection of the consequences of a tragedy should have come from so... Read more... |
Loot, Park Theatre review – dizzyingly enjoyableThursday, 24 August 2017
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Entertaining Mr Sloane, had both outraged and delighted West End audiences in 1964, and his follow-up a year later was Loot, which was a... Read more... |
Knives in Hens, Donmar Warehouse review – Yaël Farber not symbolic enoughWednesday, 23 August 2017
Hark, is that the call of the earth I hear? In a frenetic urban world, the myth of rural simplicity exerts a strong pull. Surely a simpler life is possible; a more natural rhythm and a slower pace? Oh yes, I can smell burnt peat, and almost scent... Read more... |
Edinburgh Festival and Fringe 2017 reviews round-upMonday, 21 August 2017
Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.STANDUPAthenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedyCally Beaton, The Caves ★★★★ Single... Read more... |
Against, Almeida Theatre review - Ben Whishaw is a modern-day JesusSaturday, 19 August 2017
Luke is a Silicon Valley billionaire, a high-tech wizard. And he’s just had a message from God. And what does God say? Well, He says, “Go where there’s violence.” So what does Luke do? He does what he’s been told, and devotes his considerable... Read more... |
Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild BoreFriday, 18 August 2017
Meet Me at Dawn ★★★★★ Edinburgh-based playwright Zinnie Harris is the subject of a particular focus at this year’s Edinburgh International Festival, with three productions in collaborations with leading Scottish theatre companies. Her... Read more... |
King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subduedThursday, 17 August 2017
Every play is a Brexit play. This much we have learnt in the year since the referendum. But in Nancy Meckler’s hands the Globe’s new King Lear becomes the Brexit play – an unpicking of intergenerational responsibility and difference, of philosophies... Read more... |
The Majority, National Theatre review – a minority interestTuesday, 15 August 2017
A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your visit to a venue is now likely to involve voting on the guilt or innocence of terror suspects (as in Terror or Blurred Justice... Read more... |
Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar BabyTuesday, 15 August 2017
Pike St ★★★★ London-based theatre company Paines Plough’s pop-up touring venue Roundabout has been a regular Edinburgh Fringe fixture for the past four years, nestled in nicely among the redeveloped veterinary buildings of Summerhall. And it’s been... Read more... |
Christopher Shinn: 'I did not know if I would be alive and someone wanted me to write a play'Monday, 14 August 2017
Plays do not usually come into being in isolation. When I search my gmail archive I see that my first communication with Robert Icke about a commission came in April 2012. Rupert Goold and Rob were still at Headlong then. I was busy so asked that we... Read more... |
Edinburgh Festival 2017 review: The DivideSunday, 13 August 2017
A society that segregates men and women, prescribes what women can learn, read, wear, even which words they can say. A society willing to sacrifice its own people to maintain its repressive theocratic orthodoxy. Sound familiar?There are plenty of... Read more... |
