Theatre
Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorousThursday, 17 October 2024
There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career... Read more... |
A Raisin in the Sun, Lyric Hammersmith review - of race and menSunday, 13 October 2024
Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also a cultural goldmine. So powerful is its depiction of the postwar African-American experience that it has... Read more... |
First Person: Lindsey Ferrentino on the play that has led Adrien Brody to the London stageFriday, 11 October 2024
I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on my desk, covered in script pages and 10 pairs of handcuffs. I video the cake, the handcuffs, the singing actors... Read more... |
The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American DreamFriday, 11 October 2024
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and... Read more... |
Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauceFriday, 11 October 2024
Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an amaretto voice that wheedled like a child and seduced like a witch. Half a century on, there must be a heck... Read more... |
Brace Brace, Royal Court review - too slender to satisfyThursday, 10 October 2024
Air travel is bad for us. Yes, yes, I know we need planes to take us long distances, but look at the downside: not only the carbon footprint, but also the anxiety. I used to feel pretty relaxed about flying, then – one day on a short European... Read more... |
First Person: Tim Etchells on 40 years of making a noise with Forced EntertainmentThursday, 10 October 2024
Forced Entertainment is a theatre company based in Sheffield, touring original performances around the world. The core group of 6 artists has been working together for 40 years, often inviting others to collaborate on particular projects. From the... Read more... |
Gigi and Dar, Arcola Theatre review - a war-game of two halvesThursday, 10 October 2024
The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of occupation. Or, at least, I think that’s what Gigi and Dar is aiming for. The set gives little away about the... Read more... |
The Other Place, National Theatre review - searing family tragedyWednesday, 09 October 2024
Contemporary reworkings of Greek tragedy run a very particular risk, that out of context the heightened actions of the original plays – the woefully poor judgement, the copious bloodletting, the rush to disproportionate vengeance and suicide – can... Read more... |
Bellringers, Hampstead Theatre review - mordant comedy about the end of the worldWednesday, 09 October 2024
As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle British rain becomes a deluge, the arrival of Daisy Hall’s debut play Bellringers at Hampstead Theatre’s Downstairs... Read more... |
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-runningWednesday, 09 October 2024
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely... Read more... |
Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedyMonday, 07 October 2024
"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality in his part as written by O'Casey, but in Matthew Warchus's hands this is made an explicit element of... Read more... |
