Theatre
Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepowerThursday, 16 May 2019
Where would Tennessee Williams's onetime flop be without the British theatre to rehabilitate it on an ongoing basis? Arriving at the Menier Chocolate Factory in a co-production with Theatre Clwyd, where Tamara Harvey's production has already been... Read more... |
Henry IV Parts 1 & 2/Henry V, Shakespeare's Globe review - helter-skelter ensemble history trilogyThursday, 16 May 2019
Henry IV Part One (***)Women as Hal, Hotspur and Falstaff? It's been done before, and superlatively well, in Phyllida Lloyd's Shakespeare-in-prison trilogy (Henry IV Part One, with several crucial scenes from Part Two, between Julius Caesar and The... Read more... |
The Firm, Hampstead Theatre review - ferociously funny exploration of gang cultureWednesday, 15 May 2019
We are living in a time when gang culture rips and roars its way down London streets, and through newspaper headlines, at increasingly alarming levels. Recent news reports revealed how a surge in knife and gun crime is leading to more young black... Read more... |
The Last Temptation of Boris Johnson, Park Theatre review - unwieldy at times but undeniably funny, tooWednesday, 15 May 2019
What could have been merely a cheap and cheesy piss-take registers as considerably more robust in The Last Temptation of Boris Johnson, journo-turned-playwright Jonathan Maitland's latest venture for his de facto home at north London's Park Theatre... Read more... |
Death of a Salesman, Young Vic review - new-minted revival of a masterpieceFriday, 10 May 2019
The Young Vic, a welcoming theatre with a culturally diverse audience, has been home to memorable Miller revivals before, notably Ivo van Hove's emotionally shattering, stripped-back A View From the Bridge in 2014. But before that, in the 1980s and... Read more... |
Dead Dog in a Suitcase (and other love songs), Brighton Festival 2019 review - a feverishly foul-mouthed musical comedyThursday, 09 May 2019
Five years ago this Kneehigh Theatre production caused a stir with its vibrant modern retelling of John Gay’s 18th century satirical classic, The Beggar’s Opera. It’s currently on tour again and it’s easy to see why a revival was greenlit. It’s a... Read more... |
Vox Motus: Flight, Brighton Festival 2019 review - a novel and moving experienceSunday, 05 May 2019
Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very... Read more... |
Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with forceSaturday, 04 May 2019
The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now receiving a major West End revival in welcome defiance of the commercial odds. The protean Sonia Friedman, this venture... Read more... |
Other People's Money, Southwark Playhouse review - onetime Off Broadway hit retains its stingSaturday, 04 May 2019
Deft and funny and nicely cast, what's not to like about Other People's Money, the era-defining Jerry Sterner play in revival at Southwark Playhouse? The play's 1989 premiere Off Broadway allowed for a contemporary skewering of the roaring,... Read more... |
Small Island, National Theatre review - fun epic takes ages to warm upFriday, 03 May 2019
Novelist Andrea Levy's 2004 masterpiece, Small Island, is a tribute to the Windrush Generation, those migrants to England from the Caribbean that came first on the HMT Empire Windrush in 1948, and then subsequently on other ships. Being British... Read more... |
Jude, Hampstead Theatre review - Greek tragedy for todayFriday, 03 May 2019
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this production of a new play by Howard Brenton. The playwright has been a regular at the Hampstead Theatre, and he has enjoyed stagings of his history... Read more... |
The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdismThursday, 02 May 2019
Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it’s Ionesco’s Rhinoceros responding to fascism, or Havel’s The Garden Party satirising the irrational cruelties of Prague’s Soviet occupiers... Read more... |
