tue 09/09/2025

Theatre

Edinburgh Fringe 2019 reviews: Sea Sick / Vigil / When the Birds Come

Sea Sick CanadaHub ★★★★   She’s not a performer, Alanna Mitchell tells us. She’s a writer and journalist. But what she’s discovered about climate change, and specifically about its effects on the world’s oceans, has...

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Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

On the Other Hand, We’re Happy Summerhall ****This affecting co-production between Paines Plough and Theatr Clywd of Daf James’s play takes a sideways look at adoption.Twentysomethings Abbi (Charlotte Bate) and Josh (Toyin Omari-Kinch) have been...

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Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019

Following a triumphant resurrection of Jesus Christ Superstar, now playing at the Barbican, the Park works its magic on another of Andrew Lloyd Webber and Tim Rice’s Seventies rock operas. Jamie Lloyd’s stripped-down, super-sleek, contemporary take...

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Edinburgh Fringe 2019 reviews: Deer Woman / Pathetic Fallacy / Blind Date

Deer Woman CanadaHub ★★★   You can feel the fury emanating from the stage in Tara Beagan’s incendiary solo play. Fury at the thousands of Indigenous Canadian women and girls who have gone missing in recent decades, abducted...

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Edinburgh Fringe 2019 review: Birth

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant...

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Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the monarch of the farceurs, and his best-know play, See How They Run (1944), features the immortal line: "Sergeant, arrest most of these vicars!". Like so...

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Edinburgh Fringe 2019 review: Crocodile Fever

Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the...

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Edinburgh International Festival 2019 review: La reprise

Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little. But there are certainly lighter moments in La reprise, provocative Swiss-born director Milo Rau’s production with his...

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Edinburgh Festival 2019 review: Rich Kids - A History of Shopping Malls in Tehran

You can’t question Javaad Alipoor’s ambition. Ancient Mesopotamian empires, geological layers of chicken bones, the half-life of polysterene cups, Thomas Gainsborough, Susan Sontag, Iranian political history, gold iPhones, mallwave – all that and...

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Edinburgh Festival 2019 reviews: Enough / Spliced

Enough ★★★★   Immaculately turned out in winning smiles, navy and nylon, cabin crew Jane and Toni dispense comforting reassurance and flirty glances to passengers at 30,000 feet. Down on the ground, though, they’re juggling kids...

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Mr Gum and the Dancing Bear the Musical, National Theatre review – gleefully subversive family musical

A great hunk of rotting meat hangs centre stage, suspended over a rusty wheelbarrow. A figure in a bloody butcher’s apron picks through the stalls, searching for cans of ‘xxxtra cheap lager’. From the direction of the band, sinister Wurlitzer sounds...

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The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into town

It may help if you love the book. It was a runaway bestseller, so fans must be legion, but a suspenseful story which depends on memories being obscured by prodigious boozing, and featuring a trio of women best described as "flaky", all defining...

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