Opera
A silver rose for Glyndebourne's 80thMonday, 10 March 2014
Der Rosenkavalier, Richard Strauss and Hugo von Hofmannsthal’s 1911 “comedy for music” about love, money and masquerading in a putative 18th-century Vienna, is a repertoire staple around the world. Continental houses throw it together without a... Read more... |
Kiri at 70Friday, 07 March 2014
Even more deserving of the sobriquet “the beautiful voice” than Renée Fleming, the natural successor who virtually copyrighted it, Kiri te Kanawa was one of the great sopranos of the 20th century. With those big, candid brown eyes and bone structure... Read more... |
La Fille du régiment, Royal OperaTuesday, 04 March 2014
Roll up, roll up, to hear Juan Diego Flórez deliver his nine cheek-by-jowl top Cs in the umpteenth performance of Laurent Pelly’s slick, often funny Donizetti comedy. Does the whole thing still fizz? Only up to a point in Christian Räth's revival.... Read more... |
theartsdesk in Bordeaux: Bottoms up for RameauSunday, 02 March 2014
Jean-Philippe Rameau, the most radical and inventive of French composers before Berlioz, died in Paris 250 years ago this September. 16 years later a gem among theatres opened its doors for the first time with a long evening’s entertainment... Read more... |
Rodelinda, English National OperaSaturday, 01 March 2014
If they asked me, I could write a book about the way one number in Richard Jones’s ENO production of Handel’s Rodelinda – the only duet, after 18 arias, and nearly two hours into the action – looks, sounds and moves. Because it doesn’t happen often... Read more... |
DVD: Becoming TraviataFriday, 28 February 2014
Only the most antagonistic of diva fanciers, opera queens, call them what you will, would deny coloratura soprano Natalie Dessay her place as one of the great singing actresses of our time. The size and range of the voice are rather more limited for... Read more... |
Boulevard Solitude, Welsh National OperaThursday, 27 February 2014
Reviewing WNO’s Manon Lescaut a couple of weeks ago, I suggested that its director, Mariusz Treliński, had devised the production in terms of Henze’s Boulevard Solitude, “and simply tyre-levered the Puccini into it.” QED. Here are the same railway... Read more... |
The Fairy Queen, Bury Court OperaTuesday, 25 February 2014
Bury Court Opera acquired a pearl of great price when it persuaded Simon Over, music director of the Southbank Sinfonia and the Parliament Choir, to bring his 2010 production of Dido and Aeneas from Anghiari in Tuscany to perform in the beautifully... Read more... |
Paul Bunyan, English Touring Opera, Linbury Studio TheatreTuesday, 18 February 2014
Paul Bunyan, best described as a "choral operetta", was Britten’s first foray into the operatic, and much of its value is surely gleaned through the prism of subsequent successes. The composer withdrew it after its poorly received US premiere in... Read more... |
HMS Pinafore, Hackney EmpireMonday, 17 February 2014
Showboys will be boys – gym-bunny sailors, in this instance – as well as sisters, cousins, aunts, captain’s daughters and bumboat women. We know the ropes by now for Sasha Regan’s all-male Gilbert and Sullivan: a loving attempt to recreate, she says... Read more... |
King Priam, English Touring Opera, Linbury Studio TheatreFriday, 14 February 2014
Tippett’s selective, often compelling and mostly well-structured take on Trojan War myths will never capture the wider public’s imagination as much as even the least of Britten’s operas. His ideas sometimes pierce the soul but don’t stick there in... Read more... |
Rigoletto, English National OperaFriday, 14 February 2014
Old sins, the saying goes, cast long shadows. These are nothing, however, to the shadows cast by old productions. Jonathan Miller’s Mafia Rigoletto looms larger than most in this regard – a lowering giant of directorial inspiration, with 30 years in... Read more... |
