Opera
Anna Nicole, Royal OperaFriday, 12 September 2014
Even before I stepped into the Royal Opera House, it was clear to see that it had been transformed for the opening performance of Mark-Anthony Turnage’s Anna Nicole. A red carpet outside; the pervasive smell of popcorn within; the stage curtains,... Read more... |
Façade/Eight Songs for a Mad King, Grimeborn Opera, Arcola TheatreFriday, 05 September 2014
Walton’s Façade is not performed very often in London, but this weekend there is the opportunity to hear it four days in a row: on Monday at a chamber Prom, but before that in this enterprising staging, paired with Peter Maxwell Davies’ Eight Songs... Read more... |
Prom 59: Elektra, BBC Symphony Orchestra, BychkovMonday, 01 September 2014
How much familial dysfunction and lust - whether for sexual gratification or revenge - can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but no sooner had one become accustomed to... Read more... |
Prom 58: Salome, Deutsche Oper Berlin, RunniclesSunday, 31 August 2014
So here’s where I join the ranks of Old Opera Bores by declaring this Salome, Nina Stemme, the best I’ve seen since Hildegard Behrens in 1978, and this Salome as in Richard Strauss’s Wilde opera from Donald Runnicles and his Deutsche Oper Berlin... Read more... |
Les Troyens, Mariinsky Opera, Gergiev, Festival Theatre, EdinburghFriday, 29 August 2014
The Edinburgh Festival reserved its biggest operatic event for last. From St Petersburg, the Mariinsky Opera brought a production of Berlioz’s Les Troyens that could truly be described as epic: a stellar cast, a vast trompe d’oeil set, and an... Read more... |
Guglielmo Tell, Teatro Regio Torino, Noseda, Usher Hall, EdinburghWednesday, 27 August 2014
First, confessions. I’m the dance critic here at theartsdesk. Yes, this is a review of a concert performance of an opera, and no, I haven’t picked up a detailed knowledge of Rossini’s oeuvre as a byproduct of my education in pirouettes and Pina... Read more... |
Rinaldo, Glyndebourne Festival OperaSunday, 10 August 2014
God it’s good to laugh in an opera house. Not a hear-how-clever-I-am-to-get-the-laborious-operatic-joke laugh, or an I-realise-this-is-supposed-to-be-funny-so-I’m-playing-along one, but a real, spontaneous laugh that tickles into sound before you’ve... Read more... |
Alright on the Night: at Glyndebourne with the OAESaturday, 09 August 2014
If you only ever listened to opera from recordings, you might overlook the fact that it's as much theatre as it is music. In the opera house on the night, it's all well and good for the orchestra to play the score and the singers to sing their parts... Read more... |
Prom 28: D'Orazio, Clayton, BBCSO, OramoFriday, 08 August 2014
All kinds of narratives were at play in this Prom from the BBC Symphony Orchestra and its Principal Conductor Sakari Oramo - and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear, dispassionately chronicling Stravinsky... Read more... |
theartsdesk in Bregenz: A floating opera festivalSunday, 03 August 2014
It’s raining. Not spitting or drizzling, properly raining, with clouds so thick that you know they’re here to stay. Yet rather than take shelter in restaurants and bars, or simply stay at home on this soggy summer night, 7,000 people in a stylish... Read more... |
Alice's Adventures in Wonderland, Opera Holland ParkSunday, 03 August 2014
“What does opera have to say to the under-30s?” asked Alexandra Coghlan on theartsdesk yesterday. The question “what does opera have to say to the under-10s?” has had to wait until today. For although yesterday afternoon’s performance of Will Todd’s... Read more... |
Opinion: What does opera have to say to the under-30s?Saturday, 02 August 2014
If, like me, your first reaction to the question “What does opera have to say to under-30s” is “What doesn’t opera have to say to them, or anyone, for that matter?” then you can stop reading now. Job done. Go out and spread the word. For everyone... Read more... |
