tue 29/07/2025

Opera

The Wild Man of the West Indies, ETO, Hackney Empire

“Do you think they’ve got enough plot to get us through to the end?” I overheard a lady anxiously asking her husband during the interval. It was a fair question. Donizetti’s The Wild Man of the West Indies was written within a year of L’elisir d’...

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Rise and Fall of the City of Mahagonny, Royal Opera

"No heckling. No smoking. No making love," read the nifty video projections announcing the rise of the new Mahagonny at the Royal Opera House. Why so coy? Could they not give us a bang for our buck, or even a slow comfortable screw?But that would be...

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Opinion: Where's the crisis at ENO?

Having been bowled over by the total work of art English National Opera made of Wagner’s The Mastersingers of Nuremberg on its first night, I bought tickets immediately afterwards for the final performance. So I’m off tonight to catch the farewell...

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Alice in Wonderland, BBCSO, Brönnimann, Barbican

The Southbank Centre’s Women of the World Festival may have been the largest cultural event marking International Women’s Day 2015, but it wasn’t the most ambitious. Over at the Barbican two women were responsible for a multimedia opera staging...

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Ruddigore, Charles Court Opera, King's Head Theatre

How can a feisty village dame duetting “lackaday”s with the mounted head of a long-lost, nay, long-dead love be so deuced affecting? Ascribe it partly to the carefully-applied sentiment of Gilbert and Sullivan, slipping in a very singular 11-o’clock...

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Le Roi de Lahore, Chelsea Opera Group, QEH

Now that opera houses mostly lack either the will or the funds to stage the more fantastical/exotic pageants among 19th century operas – the Royal Opera production of Meyerbeer’s mostly third-rate Robert le Diable was an unhappy exception – it’s...

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Die Zauberflöte, Royal Opera

Mozart’s The Magic Flute is one of those operas, like Verdi’s Il trovatore and all the mature Wagner masterpieces, which need a line-up of equally fine singers but rarely get it in the compromised world of the opera house. With Christiane Karg and...

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The Indian Queen, English National Opera

When Purcell died at just 36, he left The Indian Queen unfinished, which only adds to the usual problems of staging his "semi-operas" – plays with musical interludes which don’t really accord with modern operatic tastes, despite the ravishing beauty...

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Hansel and Gretel, Welsh National Opera

After 16 years one might expect a revival of a repertory opera like Hansel and Gretel to come up with a dusty look and frayed edges. But Benjamin Davis has done a brilliant job pumping the life back into Richard Jones’s memorable but intricate 1998...

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Farinelli and the King, Sam Wanamaker Playhouse

Farinelli and The King is pretty much a perfect piece of theatre. More importantly, though, it’s perfectly timed. In a month when English National Opera’s troubles have made the front page, when op-eds are all about why Simon Rattle’s dreams of a...

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La Vida Breve/Gianni Schicchi, Opera North

The good news first: director Christopher Alden’s new production of Gianni Schicchi is quite brilliant, and one of the funniest, cleverest things you’ll see in an opera house. Puccini’s taut one-acter is difficult to mess up, but it takes some skill...

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'I'm the photographer. Any nudity? Any fighting?'

We are sitting in the lobby of the National Theatre in the early afternoon waiting for the photocall for Dara to begin. Six or seven photographers, one woman, all dressed in jeans and dark jackets with large camera bags, some on wheels. There is not...

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