Opera
10 Questions for Conductor Laurence EquilbeyWednesday, 16 September 2015
It’s a sunny afternoon at altitude – 1,082 metres, to be precise – in the precincts of France’s highest historic building, the austerely impressive early Gothic Abbey-Church of St-Robert, La Chaise-Dieu. I’m relaxed because I arrived the... Read more... |
Trofonio’s Cave, Bampton OperaWednesday, 16 September 2015
Antonio Salieri. Mozart’s nemesis – wrong. Beethoven’s teacher – right. Unjustly neglected in his own right – maybe. Bampton Opera have put some flesh on the bones of his reputation with an English-language production of La grotto di Trifonio, first... Read more... |
Orphée et Eurydice, Royal OperaTuesday, 15 September 2015
The tale of Orpheus – a musician so talented his art could overturn the laws of the universe – is the originary myth of opera itself. Is it any wonder, then, that it’s a story that the genre continues to tell and retell with such care and... Read more... |
I Puritani, Welsh National OperaSaturday, 12 September 2015
Whatever one may feel about Bellini’s music, it’s hard to think of him as in any sense a political composer. So you could almost hear the hearts hit the floor when the curtain went up – or rather was as usual already up – on the opening of Bellini’s... Read more... |
Listed: Essential Operas 2015-16Tuesday, 01 September 2015
September is upon us and it’s nearly time for the new season. English National Opera’s Artistic Director John Berry may have left the building but his enterprising legacy lives on in a 2015-16 season that looks on paper as good as any in the past 20... Read more... |
The Magic Flute, Komische Oper Berlin, Edinburgh Festival TheatreSaturday, 29 August 2015
In 2007, a tiny British theatre company called 1927 staged their first ever show at the Edinburgh Fringe – the darkly reimagined collection of fairytales and fables Between the Devil and the Deep Blue Sea. Now, almost a decade on, they are back... Read more... |
Entanglement/ That Man Stephen Ward, Presteigne FestivalFriday, 28 August 2015
Two dramas of sex, sleaze and death in the postwar London underworld: to outsiders, this double bill of chamber operas by Charlotte Bray and Thomas Hyde might look like an unlikely opening night for the annual Presteigne Festival. That would be to... Read more... |
Prom Chamber Music 6: Jeremy Denk/ Prom 53: Fray, Philharmonia, SalonenTuesday, 25 August 2015
There were two reasons why I didn’t return to the Albert Hall late on Friday night to hear Andras Schiff play Bach’s Goldberg Variations. The first was that one epic, Mahler’s Sixth in the stunning performance by Andris Nelsons and the Boston... Read more... |
The Last Hotel, Royal Lyceum, EdinburghWednesday, 12 August 2015
Irish playwright Enda Walsh has been a regular presence at recent Edinburgh festivals – or, to be more precise, at the Fringe, with provocative works of rich linguistic lyricism including The Walworth Farce in 2007 and The New Electric Ballroom in... Read more... |
HMS Pinafore, National Gilbert & Sullivan Opera CompanyMonday, 10 August 2015
At the beginning of Act Two of John Savournin’s production of HMS Pinafore, the quarterdeck is in darkness. Kevin Greenlaw’s Captain Corcoran steps out of his cabin, downs a brandy stiffener, and launches into his melancholy lament to the moon.... Read more... |
Ravel Double Bill, GlyndebourneSunday, 09 August 2015
Ask opera-lovers to name their favourite one-acter and chances are the choice will be L’enfant et les sortilèges. Colette’s typically off-kilter fable of a destructive kid confronted with the objects and animals he’s damaged is set by Maurice... Read more... |
Prom 25: Orfeo, EBS, GardinerWednesday, 05 August 2015
English choirs and early music ensembles have a bad reputation for stiffness, formality – nothing wrong with the music, just the presentation. But with this dramatic and Italianate Orfeo, John Eliot Gardiner, his English Baroque Soloists and... Read more... |
