Opera
'I’ve told everyone that it’s a comedy – but will anyone laugh?' Jonathan Dove on his new Marx operaWednesday, 05 December 2018
Marx is having a terrible day. He is supposed to be finishing volume two of Capital but he’s distracted by his lust for the maid, workmen are taking away the furniture, his daughter thinks she’s caught a spy.... and what will his wife say when she... Read more... |
L'heure espagnole, Mid Wales Opera review - Ravel goes like clockworkSaturday, 01 December 2018
Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16... Read more... |
theartsdesk in Gothenburg - Wagner's gold turns greenThursday, 29 November 2018
Before we hear a note, extras dressed as maintenance staff potter about the stage. They try to erase a scrawled slogan on a wall that reads “Hur allt började”: how it all began. “It” is the story of Wagner’s Ring cycle as presaged in the... Read more... |
War Requiem, English National Opera review - a striking spectacle, but oddly unmovingSaturday, 17 November 2018
We’re not good at lack these days. Just look at the concert hall, where increasingly you turn up to find not just an orchestra and soloists but a giant screen. Videos, projections, live speakers, "virtual choirs"; if there’s so much as a chink of an... Read more... |
Simon Boccanegra, Royal Opera review - a timely revival of Verdi's political music-dramaFriday, 16 November 2018
Political machinations and backroom power-brokering, leadership battles and unscrupulous rivals – if ever there was an opera for this week it’s Simon Boccanegra. Premiered in 1857 but only coming into its own after substantial revisions in 1881,... Read more... |
The Silver Tassie, BBCSO, Barbican review - a bracing memorial for the WW1 anniversarySunday, 11 November 2018
In a week of flickering memorial candles and cascading poppies we’ve all been asked to contemplate the pity of war – to remember and to seek consolation in beauty and silence. But before we can earn that consolation and mourn in that silence there... Read more... |
The Rake's Progress, LPO, Jurowski, RFH review - supreme fluency from Eden to BedlamMonday, 05 November 2018
Lightness and gravity in perfect equilibrium have always graced Vladimir Jurowski's Stravinsky. From his first London Rake's Progress at English National Opera, proving that he could do the delicate and translucent after his Royal Opera debut... Read more... |
Serse, Fagioli, Il Pomo d'Oro, Barbican review - a night in counter-tenor heavenSaturday, 27 October 2018
What a scrumptious spread of musical virtuosity the Barbican has laid on with the aid of its international guests this week. A couple of days after the Australian Chamber Orchestra conquered Milton Court, the ace Baroque ensemble Il Pomo d’Oro... Read more... |
Car, Australian Chamber Orchestra, Tognetti, Milton Court review - a rattlebag of happy collaborationsThursday, 25 October 2018
Presenting the last Mozart symphonies as a three-act opera for orchestra, as Richard Tognetti and his febrile fellow Australians did on Monday, was always going to be a supreme challenge. It worked, as Boyd Tonkin reported here. Since then, the... Read more... |
Verdi's Requiem, Royal Opera, Pappano review - all that heaven allowsWednesday, 24 October 2018
Here it comes - get a grip. The tears have started flowing in the trio "Quid sum miser" and 12 minutes later, as the tenor embarks on his "Ingemisco" solo, you have to stop the shakes turning into noisy sobbing. The composer then lets you off the... Read more... |
Juliana, Nova Music Opera, St John's Smith Square review - new version of a classic dramaTuesday, 23 October 2018
Joseph Phibbs is not the first composer to make an opera out of Strindberg’s Miss Julie, and it is not difficult to see the operatic appeal of this taut, passionate three-handed drama. But there are also hazards: my recollections of the play,... Read more... |
Cendrillon, Glyndebourne Tour review - too many ingredients in the magic soupMonday, 22 October 2018
Supernatural wonders, consciously avoided in Rossini's enlightened tale of goodness rewarded La Cenerentola and unrealised by second-rank composer Isouard in his 1810 Cendrillon, recently uneathed by Bampton Classical Opera, flood Massenet's gem-... Read more... |
