Film
Santosh review - powerful study of prejudice and police corruptionThursday, 20 March 2025![]() Held up by the censors in India though screened at Cannes and nominated for an International Oscar, Sandhya Suri’s 2024 film Santosh serves as a bookend to Payal Kapadia’s poignant All We Imagine As Light, about women in Mumbai experiencing less... Read more... |
Flow review - come the apocalypse, cue the animalsWednesday, 19 March 2025![]() I so wanted to like Flow. I’d heard good things from usually reliable critic friends who’d seen it already and told me it had enchanted them and their pets.There’s no dialogue and as real animal calls were apparently used on the soundtrack, I... Read more... |
Opus review - the press trip from hell, starring John Malkovich and Ayo EdebiriMonday, 17 March 2025![]() Writer Ariel (Ayo Edebiri; The Bear) has worked at a music magazine for three years but in spite of coming up with great ideas, she never gets assigned stories.“You’re middle as fuck,” says her boyfriend, by way of explanation, as they eat Japanese... Read more... |
theartsdesk Q&A: Indian star Radhika Apte on 'Sister Midnight'Monday, 17 March 2025![]() Radhika Apte has been acclaimed for her ebullient performance as a reluctant bride in Sister Midnight since director Karan Kandhari’s comic horror movie was launched at Cannes last May. Talking over Zoom from her home near Epping Forest, Apte,... Read more... |
All Happy Families review - unhappy in their own waySaturday, 15 March 2025![]() Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence of Leo Tolstoy’s Anna Karenina: “All happy families are alike; each unhappy family is unhappy in its own way.”... Read more... |
Black Bag review - lies, spies and unpleasant surprisesFriday, 14 March 2025![]() Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a much more sly and streamlined operation. Written by David Koepp (Jurassic Park, Indiana Jones etc) and directed... Read more... |
Sister Midnight review - the runaway bridegroomThursday, 13 March 2025![]() Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker of a debut feature written and directed by Karan Kandhari, and backed by Film4.We meet the newly hitched – that... Read more... |
theartsdesk Q&A: Raoul Peck, director of the documentary 'Ernest Cole: Lost and Found'Tuesday, 11 March 2025![]() With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film about African-American writer James Baldwin and the Civil Rights Movement not only put the Haitian-born Peck on the map as a director, but also made him one... Read more... |
Blu-ray: The Barnabáš Kos CaseTuesday, 11 March 2025![]() One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in Peter Solan’s 1964 Slovak black comedy (originally title: Prípad Barnabáš Kos) takes place in a rehearsal studio... Read more... |
Bonhoeffer review - flawed biopic of a saintly man of courageSaturday, 08 March 2025![]() The German theologian, pastor and anti-Nazi dissident Dietrich Bonhoeffer (1906-1945) was a saintly, courageous figure, of major historical significance. Those are good reasons to ensure that his story gets told and becomes better known. At a time... Read more... |
Twiggy review - portrait of a supermodel who branched outSaturday, 08 March 2025![]() When Twiggy burst on to the scene in 1966, she was a beacon of hope for all flat-chested, short-haired, skinny girls. Of course we couldn’t look as fabulous as she did, with her enormous eyes and high forehead and long legs, but we could try.Before... Read more... |
On Falling review - human cogs in a merciless machineFriday, 07 March 2025![]() Alienation, isolation, and instability are the fruits of working as a “picker” in the chilling labour drama On Falling. The first feature written and directed by the Porto-born, Edinburgh-based filmmaker Laura Carreira presents post-industrial gig... Read more... |
