Film
Night Swim review - hardly immersive horror flickMonday, 08 January 2024
The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural.For a while, this mild, many-angled shocker, produced by horror impresarios... Read more... |
Scala!!! interview with documentary co-directors Jane Giles and Ali CatterallThursday, 04 January 2024
There’s no shortage of documentaries about movie stars, film directors and production studios in their heydays, but very little attention has been paid to the cinemas that showed the movies they made or the diverse audiences they attracted.Opening... Read more... |
Priscilla review - Bluebeard suede shoesTuesday, 02 January 2024
Sofia Coppola knows a thing or two about teenage girldom. Like many of her other characters – in The Virgin Suicides, Lost in Translation, Somewhere and Marie Antoinette – the subject of her latest film, Priscilla Presley, is an ingenue living in a... Read more... |
Tchaikovsky's Wife review - husband materialSunday, 31 December 2023
The movies haven’t been kind to Pyotr Ilyich Tchaikovsky. The Nutcracker Suite was a highlight of Walt Disney’s Fantasia (1940) perhaps, but the 1969 Soviet biopic directed by Igor Talankin was tedious and Ken Russell’s The Music Lovers, released... Read more... |
DVD/Blu-Ray: PassagesSunday, 31 December 2023
“I had sex with a woman. Can I tell you about it, please?” says film director Tomas (Franz Rogowski) to his husband Martin (Ben Whishaw), a printmaker. Tomas is full of excitement about his night with Agathe (Adèle Exarchopoulos); Martin is resigned... Read more... |
Ferrari review - a steady, slow-lane biopicWednesday, 27 December 2023
Just as Napoleon may be Ridley Scott’s most autobiographical subject, so motor-racing potentate Enzo Ferrari’s mastery of streamlined speed seems made for Michael Mann. But where his best films’ cool control accelerates into calibrated mayhem,... Read more... |
Best of 2023: FilmTuesday, 26 December 2023
Numbers indicate if entries are listed in order of preferenceSaskia BaronAnatomy of a FallBrokerFallen LeavesJoylandKillers of the Flower MoonOtto Baxter: Not a F**ing Horror StoryReturn to SeoulSt OmerScrapperA Thousand and OneThe reason I go to... Read more... |
Next Goal Wins review - football's lamentablesTuesday, 26 December 2023
For those who ever wonder if soccer scoreboards, or score-line captions on TV, can ever be made to reach three figures, consider the match between AS Adema and SO l’Emyrne, two teams in Madagascar, in 2002. It ended 149-0, but that was only because... Read more... |
The Boy and the Heron review - elegiac swan song by the Japanese anime masterFriday, 22 December 2023
Admirers of Hayao Miyazaki will find much to love in The Boy and the Heron, which he has said will be his final feature before retiring from film-making at the age of 82. It’s a beautifully crafted piece of work with all the tropes... Read more... |
Sweet Sue review - delightfully hopeless BritsFriday, 22 December 2023
You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent... Read more... |
Powell and Pressburger: The ComposersFriday, 22 December 2023
Unlike, say, Hitchcock and Bernard Herrmann, Michael Powell’s working relationships with musicians were cordial, particularly his collaborations with composers Allan Gray and Brian Easdale.Gray, born Józef Żmigrod in Poland in 1902, had met Emeric... Read more... |
Powell and Pressburger: A Celtic storm brewingWednesday, 20 December 2023
“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as... Read more... |
