tue 08/07/2025

Film

The Teacher review - tense West Bank drama

It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature by British-Palestinian director Farah Nabulsi, who also wrote the screenplay, is so thoroughly appalling that it...

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The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recovery

In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a film based on her book that is a significant achievement in its own right. It’s also the promising debut of Saoirse Ronan and...

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Blu-ray: Ikiru

Akira Kurosawa’s Ikiru (To Live) begins with an X-ray photo of the central character’s cancer-ridden stomach, a man described by the narrator (an uncredited Kurosawa) as someone “drifting through life… we can’t say that he is really alive at all…”....

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Blu-ray: Crumb

Robert Crumb puts America’s racist, misogynist Id on paper with self-implicating obsession. Terry Zwigoff’s 1995 documentary on the underground cartoonist and his even further out family is reissued as the channels for such purging, pungent art have...

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The law's sick voyeurism - director Cédric Kahn on 'The Goldman Case'

The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of two pharmacists, was known as “The Trial of the Century” – even though the century wasn’t over yet, as...

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Notes from Sheepland review - her farm is her canvas

Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she calls herself and, indeed, in a stylized self-portrait, she does seem to have the placid, watchful gaze of...

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The Substance review - Demi Moore as an ageing Hollywood celeb with body issues

If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you.French director Coralie Fargeat’s second feature (her first was Revenge in 2017, a...

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Strange Darling review - love really hurts

“Are you a serial killer?” asks a woman sitting in a pick up truck with a man she just met at a bar. The neon sign from the motel they are parked outside bathes the couple in cool, blue light. “Do you have any idea of the risks a woman like me takes...

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The Goldman Case review - blistering French political drama

It’s a bold move to give a UK cinema release to this fierce courtroom drama about a French left-wing intellectual who was assassinated in1979. Pierre Goldman isn’t exactly a well-known figure on this side of the Channel, but perhaps the distributors...

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My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the authoritarian state, a public space where individuals can have private and often subversive conversations.In...

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The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be dispelled by a soundtrack featuring “Midnight and the Stars and You,” the song that Stanley Kubrick used to ominous...

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Lee review - shaky biopic of an iconic photographer

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a World War Two photojournalist – and read about her extraordinary life will have thought: this will make...

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