Opera Features
First Person: Conductor Maxime Pascal on Stockhausen at the Southbank CentreTuesday, 21 May 2019
Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he predicted the future. Read more... |
In the spirit of the composer as innovator: Samir Savant on the London Handel FestivalWednesday, 27 March 2019
This is my third year as festival director of the London Handel Festival, an annual celebration of the life and work of composer George Frideric Handel, which takes place every spring in venues across the capital. Read more... |
'Bringing things to life is what opera is all about': Robert Howarth on a 'Magic Flute' with a differenceFriday, 18 January 2019
I’m here in Leeds at the end of five weeks of quite intense rehearsals for Opera North's new production of Mozart's The Magic Flute. Read more... |
Best of 2018: OperaWednesday, 26 December 2018
Outnumbered by four to one: out of the classical/opera team, Alexandra Coghlan, Jessica Duchen, David Benedict and... Read more... |
theartsdesk in Brno: Czech 100th feted through Janáček and SmetanaSaturday, 08 December 2018
Five of Leoš Janáček's 10 operas are staples of the worldwide repertoire. Two I'd never seen on stage, so the slice I chose of the19-day festival devoted to all of them for the second time in the history of Brno, the cultured Moravian capital where he spent most of his life, tended to the rare and local. Read more... |
'I’ve told everyone that it’s a comedy – but will anyone laugh?' Jonathan Dove on his new Marx operaWednesday, 05 December 2018
Marx is having a terrible day. He is supposed to be finishing volume two of Capital but he’s distracted by his lust for the maid, workmen are taking away the furniture, his daughter thinks she’s caught a spy.... and what will his wife say when she discovers he’s taken her silver to the pawnbroker? Where is Engels when Marx needs him most? Read more... |
theartsdesk in Gothenburg - Wagner's gold turns greenThursday, 29 November 2018
Before we hear a note, extras dressed as maintenance staff potter about the stage. They try to erase a scrawled slogan on a wall that reads “Hur allt började”: how it all began. “It” is the story of Wagner’s Ring cycle as presaged in the introductory drama of Das Rheingold, which kicks off the tetralogy. Read more... |
theartsdesk in Stockholm: the Birgit Nilsson Prize unites two great Wagnerian sopranosSaturday, 20 October 2018
Why are great Wagnerian singers the most down-to-earth and collegial in the world of opera? Perhaps you have to be to master and sustain the biggest roles in the business, ones which can't be performed in isolation, and a strong constitution helps, too. Birgit Nilsson, the farmer's daughter born in rural Sweden 100 years ago, had all those qualities and many more. Read more... |
Montserrat Caballé (1933-2018): from Bellini to 'Barcelona'Sunday, 07 October 2018
Her special claim to fame was the most luminous pianissimo in the business, but that often went hand in velvet glove with fabulous breath control and a peerless sense of bel canto line. To know Maria de Montserrat Viviana Concepción Caballé i Folch, born in Barcelona 85 years ago, was clearly to love her. I never did (know her, that is), and I only saw her once, in a 1986 recital at the Edinburgh Festival. Read more... |
theartsdesk at the Suoni dal Golfo Festival - romantics shine in the Bay of PoetsMonday, 03 September 2018
If only Liszt had started at the end of his Byron-inspired opera Sardanapalo. The mass immolation of Assyrian concubines might have been something to compare with the end of Wagner's Götterdämmerung. Instead he only sketched out the first act, complete until nearly the end, and the inevitable comparisons with the Wagner of the late 1840s are not unfavourable by any means. Read more... |
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