Film Reviews

Miss Violence

Emma Simmonds Tuesday, 17 June 2014

Miss Violence opens with an 11th birthday party whose brightly coloured balloons, pointed party hats and forced family jollity might seem unremarkable if a little girl hadn't chosen to stick Leonard Cohen's "Dance Me to the End of Love" on the stereo - not only Cohen at his most sinisterly sensual but a song inspired by the Holocaust.

Spring in a Small Town

Tom Birchenough Monday, 16 June 2014

Shanghai director Fei Mu’s final film Spring in a Small Town appeared at the end of an era, coming out in 1948, a year before revolution engulfed China. The subsequent upheaval saw the director branded a “rightist”, or reactionary (he fled to Hong Kong. where he died three years later, aged only 45), and Spring… was shelved for almost three decades, only returned to audiences when a new print was made at the beginning of the Eighties.

Oculus

Nick Hasted Friday, 13 June 2014

Karen Gillan’s first Hollywood leading role finds her in the surely unusual position of not liking what she sees in the mirror.

Belle

Emma Simmonds Thursday, 12 June 2014

Sadly the battle to shape stories from a female perspective, or even to tell stories about women is far from over. The Centre for the Study of Women in Television and Film at San Diego State University recently found that women represented only 15 percent of protagonists in the 100 top-grossing films of 2013.

Devil's Knot

Nick Hasted Wednesday, 11 June 2014

Two knotted horrors stained West Memphis, Arkansas in 1993. Three 8-year-old boys, Stevie Branch, Christopher Byers and Michael Moore, went cycling on a sunny spring afternoon. Their torn, bruised and in Byers’ case castrated bodies were dragged from a stream the next day. Three local teenage boys, black-garbed outsiders Damien Echols, Jason Baldwin and Jessie Misskelley, Jr., were then tried for the crimes with a carelessness, incompetence and prejudice which seemed actively malicious. This...

Of Horses and Men

Kieron Tyler Tuesday, 10 June 2014

Twelve minutes into the Icelandic film Of Horses and Men something occurs on screen which was obviously going to happen, but actually seeing it happen is astonishing. It’s something which would normally either occur off screen or be alluded to. Of Horses and Men has many such uncomfortable moments. It’s also funny, heart-warming and poignant – a one-off.

T.S. Spivet

Emma Simmonds Monday, 09 June 2014

The French auteur Jean-Pierre Jeunet is best known and loved for his early work: Delicatessen, The City of Lost Children and (conveniently ignoring Alien: Resurrection) Amélie. These films introduced him as a director with a very particular, rather charming vision; they were sublime, sometimes twisted works of partial fantasy which the more recent A Very Long Engagement and Micmacs didn't quite live up to.

22 Jump Street

Emma Simmonds Saturday, 07 June 2014

"We're too old for this shit," quips Jenko (Channing Tatum), quoting one of the greats of weary screen policing - Lethal Weapon's Murtaugh - in response to his latest nonsensically spectacular brush with death. "We started off too old for this shit," shoots back his partner Schmidt (Jonah Hill). Welcome to 22 Jump Street: a film that wears a lack of originality not just on its sleeve but as its whole outfit.

When I Saw You

Tom Birchenough Friday, 06 June 2014

Palestinian director Annemarie Jacir excels at catching both individuality of character and wider background context in her second feature, When I Saw You. The initial background is a refugee camp in Jordan in 1967, where displaced families arrive from their lost homes across the border after the Six-day War (the film’s title alludes to the fact that Palestine is so close as to be almost visible, at the same time almost impossibly far away).

Pulp: A Film About Life, Death & Supermarkets…

Kieron Tyler Thursday, 05 June 2014

Any band’s reunion is bittersweet. They can never be what they were at their peak and know it, and yet fans hope. Recapturing past magic is tough. Hair is lost, weight is gained and aging depletes energy. With Pulp, the band never assumed formula rock personae and their reunion was always going to be more seamless with their own past than most. There was less chance that memories would be sullied.

Grace of Monaco

Emma Simmonds Wednesday, 04 June 2014

Sometimes a film captures the imagination of the critical establishment for all the wrong reasons, and there's a scramble to see who can file the most entertainingly bitchy copy.

The Dirties

Veronica Lee Tuesday, 03 June 2014

Two movie-obsessed high-school students Owen and Matt (Owen Williams and Matt Johnson, who also writes and directs) are making a short movie about bullying for their film class. After they show it, to widespread derision from their classmates, the bullying gets worse (by boys they call the "dirties") and so the two teenagers decide to make a new version, incorporating secretly filmed footage of them being harassed and assaulted.

Fruitvale Station

Ellin Stein Monday, 02 June 2014

In the very first hours of 2009, Oscar Grant III, a 22-year-old African-American, was traveling back to the East Bay suburbs with a group of friends after celebrating New Year’s in San Francisco when they were herded off their BART train (the Bay Area’s version of the Tube) by the transport police onto a platform at Fruitvale Station following an altercation.

Edge of Tomorrow

Nick Hasted Saturday, 31 May 2014

Tom Cruise has smugly saved the day in dozens of films. In Edge of Tomorrow, he utterly fails to save the same day dozens of times, dying and trying again, in a loop caused by being plastered in the time-warping blood of one of the aliens currently occupying Western Europe.

Venus in Fur

Matt Wolf Thursday, 29 May 2014

For an artist who famously can't travel to America, Roman Polanski would appear to have an unstoppable passion for filming small-cast Broadway hits. On the back of Death and the Maiden and Carnage, both of which diminished their stage sources, along comes Venus in Fur, adapted from the David Ives play that had no fewer than three separate New York runs, making a star of its husky-voiced young leading lady, Nina Arianda, who won a 2012 Tony for her work.

A Million Ways to Die in the West

Karen Krizanovich Wednesday, 28 May 2014

Nodding to John Ford, Shane and almost every other western ever made, baby-faced writer/director/producer/lead Seth MacFarlane (Ted) replaces the shocking genius of Blazing Saddles with swearing and jokes about bodily functions in a fast, funny, get-it-or-get-out comedy that will divide friends, ruin families and make a lot of people laugh. Whether you’re one of them, you’ll have to watch and see.