Film Interviews
The Woody Allen story: 'Why do I feel like I got screwed?'Monday, 22 July 2013
Woody Allen once joked that he would prefer to achieve immortality not through his work but through not dying. He is now 77 and the inevitable is a lot nearer than it was when he first realised, aged five, that this doesn’t go on forever. Fear of death has powered the furious productivity that in the early days yielded jokes by the yard, then the films appearing year upon year. Read more... |
10 Questions for Joss WhedonMonday, 10 June 2013
Few heroes of cult genre television ever manage the transition into mainstream financial success – although JJ Abrams hasn't been doing too badly for himself – and for many years Joss Whedon's deified status among fans of his various lovingly crafted, emotionally rich series was not reflected by broader recognition. Read more... |
10 Questions for Writer David MitchellWednesday, 10 April 2013
“If you show someone something you’ve written, you give them a sharpened stake, lie down in your coffin and say, ‘When you’re ready.’” The words belong to Jason Taylor, the stammering 13-year-old poet protagonist of David Mitchell's novel Black Swan Green. But they will do for any artist presenting fresh work. Mitchell is going through an extracurricular phase of presenting fresh work to a different kind of audience. Read more... |
10 Questions for François OzonMonday, 25 March 2013
François Ozon is one of France’s most mercurial directors, his country’s equivalent, in some respects, to our own Michael Winterbottom – prolific, and constantly on the move between genres. He’s made a musical (8 Women), a marital drama (5x2), a murder mystery (Swimming Pool), a period melodrama (Angel), political satire (Potiche) and a poignant drama about a young man coping with his imminent death (Time to Leave), among others. Read more... |
Interview: Film Director Matteo GarroneTuesday, 19 March 2013
When Matteo Garrone’s sixth film Gomorrah won the 2008 Grand Prix at Cannes, it announced Italian cinema’s resurrection to the world. When his follow-up, Reality, won the 2012 Grand Prix, opinion was more divided. Read more... |
theartsdesk Q&A: Comedian Rowan AtkinsonSaturday, 19 January 2013
The generation of alternative comedians who emerged around 30 years ago have long since elbowed their predecessors into the long grass and themselves become the establishment. Of no performer can that be said with more certainty than Rowan Atkinson. His rubbery physiognomy is instantly recognisable to billions, which is why he – or rather Mr Bean - was granted pride of place at the Opening Ceremony as guest artist with Sir Simon Rattle and the London Symphony Orchestra. Read more... |
10 Questions for James MarshThursday, 10 January 2013
Five years ago James Marsh won an Academy Award for the documentary Man on Wire. It thrillingly told the story of Philippe Petit’s audacious walk on a tightrope between the Twin Towers of the World Trade Center in 1974. Marsh stayed on in the 1970s for Project Nim, a chilling documentary about a hubristic American scientist who as an experiment tried to bring up a chimpanzee as a human. Read more... |
10 Questions for Director Bernard RoseFriday, 04 January 2013
Who ever said making a movie was a glamorous business? Shooting the climactic scene of his most recent film Boxing Day, British-born director Bernard Rose (pictured below right) found himself in the freezing Colorado mountains - so cold you couldn’t even see your breath - with just his two stars, Danny Huston and Matthew Jacobs, and a sound-recordist for company. Read more... |
10 Questions for JC ChandorMonday, 12 November 2012
It’s rare to get excited about a DVD release. It is even rarer to get excited about a director. Margin Call and its director JC Chandor are rare exceptions. Devised in 2005, the idea for the film came about when the director and his chums, testing the waters of the volatile yet lucrative New York property market, were offered $10m by a bank - few questions asked. Read more... |
theartsdesk Q&A: Director Julien TempleSaturday, 03 November 2012
Julien Temple’s directing career has been struck seemingly stone-dead twice. After working with Malcolm McLaren and the Sex Pistols on The Great Rock’n’Roll Swindle (1979), then again after the flop big-budget British jazz musical Absolute Beginners (1986), he was made a notorious cinema untouchable in the UK. Exiled in Hollywood, he fell back on his parallel life as a landmark pop video auteur. Read more... |
theartsdesk Q&A: Film Critic David ThomsonSaturday, 20 October 2012
Film critic and historian David Thomson has been writing on cinema for more than 40 years, and in that time has penned books both sprawling (1975’s A Biographical Dictionary of Film) and specific (2009’s The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder). His latest volume The Big Screen: The Story of the Movies and What They Did To Us straddles the divide. Read more... |
Interview: 10 Questions for Kristen StewartMonday, 08 October 2012
The cast of On the Road is an embarrassment of riches. There’s Viggo Mortensen, high on many people’s lists of favourite contemporary actors, with a rum portrayal of William Burroughs; talented British actors Sam Riley and Tom Sturridge as those other Beat colossi Kerouac and Ginsberg; Kirsten Dunst and Mad Men’s Elizabeth Moss, and indie stalwart Steve Buscemi. Read more... |
Interview: 10 Questions for LFF Director Clare StewartWednesday, 03 October 2012
Clare Stewart arrived in London from Australia a year ago this month, into one of the biggest jobs in the UK film industry. For film buffs, it might seem like she entered a giant playground, a job to die for. Read more... |
Interview: 10 Questions for Julie DelpyMonday, 01 October 2012
Julie Delpy’s 2 Days in New York, released on DVD and Blu-ray today, is the fifth feature written (or co-written) and directed by the French actress-filmmaker and her sequel to 2007’s 2 Days in Paris. It is, therefore, another hyper, chaotic comedy of Franco-American cultural discord. Read more... |
Kiss the Day Goodbye: Marvin Hamlisch, 1944-2012Wednesday, 08 August 2012
Marvin Hamlisch’s three Oscars all came in 1974. "I think now we can talk to each other as friends," he said as he accepted his third award of the night. He composed the winning song "The Way We Were" (and the film's score) for Barbara Streisand, having started out on Broadway as rehearsal pianist in Funny Girl. Read more... |
Interview: 10 Questions for Bobcat GoldthwaitMonday, 02 July 2012
Tracing a career arc which has taken him from stand-up comic to actor, writer and film director, it's not too fanciful to describe Bobcat Goldthwait as an anarchic, indie, low budget version of Woody Allen. The 50-year-old New Yorker started out in the clubs of Boston before heading west to Hollywood in the 1980s, where he cultivated a shrill-voiced, nervy, confrontational comic persona to considerable success. Read more... |
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