Film Features

theartsdesk Olympics: Robin Hood aims true

Graham Fuller Monday, 16 July 2012

Reason dictates that Britain should win the four archery competitions at the Olympics, although we have accrued only two gold medals (both in 1908), two silvers, and five bronzes in the 14 Olympiads in which the sport has hitherto been included. So why the confidence? It is dictated by the aura of Robin Hood.

Bruce Lacey: Art's Great Adventurer

Kieron Tyler Wednesday, 04 July 2012

“Bruce Lacey has had this unbelievable career,” says the Turner prizewinning artist Jeremy Deller. “His is an alternative version of British art history - people didn't seem to know that Bruce has intersected with British history. I felt he deserves to be looked at again." Deller has put his energies into a documentary, exhibition and film season, all celebrating this influential, but largely unsung and unique British artist.

Interview: Film composer Ilan Eshkeri

Peter Culshaw Thursday, 21 June 2012

At his studio near White City in West London (he did say it was Notting Hill) Ilan Eshkeri’s is adding a scratchy cello to a key moment in Ralph Fiennes film of Shakespeare’s Coriolanus. It’s the moment the inhabitants of Rome realise that Coriolanus, an exile, is about to attack them.

The Glastonbury of the Mind: Hay turns 25

Jasper Rees Thursday, 31 May 2012

Apart from “I did not have sex with that woman” and maybe “It’s the economy, stupid”, Bill Clinton seems never to have said anything quite as memorable. Indeed, of all the phrases with his name attached, none is quoted quite so tremulously as Clinton's description of an event that takes place annually on the border between England and Wales as May makes way for June.

Cannes 2012: A dog's life on the road

Demetrios Matheou Sunday, 27 May 2012

Sightseers is the third film by the young British director Ben Wheatley and the first that might be deemed a comedy; that said, as befits the man who made Down Terrace and Kill List, it is a decidedly twisted one.

Cannes 2012: Cronenberg's Cosmopolis

Demetrios Matheou Saturday, 26 May 2012

It’s quite a coincidence when two of the competition films in Cannes take place almost entirely within a stretch limousine. Then again, considering that the movie stars here travel the most ridiculously short distances in such vehicles, it’s entirely appropriate.

Cannes 2012: Making a killing on the Côte d'Azur

Demetrios Matheou Thursday, 24 May 2012

The last time that actor Brad Pitt and New Zealand director Andrew Dominik teamed up it was for the epic and elegiac western The Assassination of Jesse James by the Coward Robert Ford. Their new one, in competition in Cannes, couldn’t be more different.

Cannes 2012: Festival falls in love with Love

Demetrios Matheou Monday, 21 May 2012

Michael Haneke likes to challenge and provoke us, whether it’s with intellectual puzzles (Hidden), bleak character studies (The Piano Teacher) or a brand of horror that makes us feel uneasily complicit (Funny Games). He’s a brilliant director, and a tough one.

Cannes 2012: Sleeper hits and big-name bombs

Demetrios Matheou Sunday, 20 May 2012

It’s a normal day in Cannes, which means that I’ve just chatted to Mexican heart-throb Gael García Bernal on the beach, while a mini sand storm battered the doors of our marquee. Bernal is in town with his new film, No, about the events leading to the fall of Chilean dictator Augusto Pinochet. But he took a moment to reminisce about his first year here, in 2000, when Amores Perros took Cannes by the scruff of the neck.

Cannes 2012: Tim Roth – the Brit in the hot seat

Demetrios Matheou Friday, 18 May 2012

It's a real pleasure to see Tim Roth strutting his stuff in Cannes, on screen and off. Roth knows the place well, having been here as an actor in Pulp Fiction, and as the director of The War Zone. This year he’s president of the jury for the un certain regard section of the festival – the second rung of the official selection, but often containing the more adventurous material. The role suits a man whose own career choices have been constantly edgy and surprising...

Cannes 2012: French master turns up the temperature

Demetrios Matheou Thursday, 17 May 2012

The first full day of Cannes started with a cracker, appropriately by a Frenchman and one of my favourite contemporary directors, Jacques Audiard. Rust and Bone features a love story between a woman who’s had her legs bitten off by a killer whale and a man who makes his living from illegal street fighting. It ought to be preposterous; Audiard, typically, makes it profound.

Jean Vigo: Celebrating the father of French New Wave

Kieron Tyler Tuesday, 15 May 2012

The release of Jean Vigo’s wonderful L’Atalante on DVD is cause enough to celebrate, but the arrival of everything he committed to film in one place is more than that – it commemorates this special filmmaker’s genius and humanity. Zero de Conduite and L’Atalante are thrilling films, whatever their context and influence on the French New Wave. They need to be seen.

Interview: 10 Questions for Clotilde Hesme

Demetrios Matheou Wednesday, 02 May 2012

Earlier this year Clotilde Hesme won the César, France’s equivalent to the Oscars, for “most promising actress” in the excellent, atypical love story Angel & Tony. One wonders if the voters have some kind of collective myopia, or simply don’t see enough good movies, because Hesme stopped being "promising" a long time ago.

theartsdesk at Sundance London

Ellin Stein Sunday, 29 April 2012

This weekend Robert Redford and his Sundance Institute are bringing a sort of taster version of the world’s leading showcase for independent (non-studio) English-language films to London.

Interview: American Pie Cast Reunion

Veronica Lee Saturday, 28 April 2012

Who knew back in 1999 that a comedy about a bunch of teenage boys desperate to lose their virginity before they graduated from high school would be so popular? Adam Herz's script for American Pie, filmed by debutant directors Chris and Paul Weitz, was a huge box-office hit, and spawned two sequels; American Pie 2 (2001), American Wedding (2003), and now a third - American Pie: Reunion. There were also four spin-off straight-to-DVD films.

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Interview: Whit Stillman, Metropolitan Filmmaker

Ellin Stein Wednesday, 25 April 2012

Unlike the New Seekers, Whit Stillman does not want to teach the world to sing. He does, however, want to teach it to dance, specifically to dance the Sambola (or, to give it its full name, Sambola! The New International Dance Craze). Instructions and a demonstration accompany the final credits of his new film, Damsels in Distress.